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A Palazzo in Puglia Provides the Perfect Backdrop for These Vintage Rugs

Earlier this spring, T Magazine published a story on a new design hotel located inside a restored 1861 palazzo in the village of Gagliano del Capo, which seemed a perfect encapsulation of everything that's beautiful about Puglia, frescoed ceilings and all. The Australian-based company Tigmi Trading — which sources one-of-a-kind vintage and contemporary Berber rugs from Morocco — seems to have also taken note of the palazzo, which provides the backdrop to their latest collection, Casa D'Arte, in these photos.
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The Artist Reimagining Fake Fruit for the Modern Era

Eye candy is called eye candy for a reason — but the Auckland, New Zealand–based Devon Made’s range of uncannily lifelike glass fruit creations take the phrase to a new level. (Is it just us who kind of want to put them in our mouths?) Edible impulses aside, artist Devyn Ormsby's perfectly translucent banana, pear, mandarin, and lemon likenesses in cobalt, lime, citrine, pink, and clear, have caught our eye (and stormed our Instagram).
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Week of August 19, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new hanging mobiles by two geometry-obsessed design studios, an auction for the ACLU of artworks by the likes of Sam Moyer and Zoe Latta, and a trio of 3-D rendering talents — including Oscar Piccolo, above — imagine their ideal smoking rooms.
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In Melbourne, An Emerging Painter and the Art of the Abstract Nude

Those unfamiliar with the work of Melbourne artist Caroline Walls will find clues to its themes in the titles of a few noteworthy collections: She & Her, Women, Intimacy, Abstract Nudes. Walls’s art (which encompasses paintings, prints, drawings, photography, soft sculpture, and more) is both spare and completely all-consuming, depicting the female form in ways that emphasize its grace and dynamism.
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These Four Women Are Leading Milan’s Design Scene — Both Together and Apart

This July, a design show in a Parisian apartment harnessed the talents of what feels like at least half of Milan’s up-and-coming design scene. Called "You Are Welcome" by The Ladies' Room collective — a collaborative project made up of Agustina Bottoni, Ilaria Bianchi, Sara Ricciardi, and Astrid Luglio — the show took the form of an intimate, female-centered salon, where objects vibrated with their own peculiar presences. All brilliant designers in their own right, the four have been working together since 2016 when they met at the Turin-based design fair Operae.
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Week of August 12, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a conceptual Brazilian travertine structure, an exhibition of Norwegian furniture prototypes, and a new hotel featuring a who's who in American design.
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A New Australian Textiles Collection Inspired By ’70s Shag

We've never been shy about our love of shag, fringe, and all things hairy, so does it come as a surprise that we're extremely into the new Textural line of rugs and cushions by Byron Bay–based Australian brand Pampa? Featuring oversized fringes and heavy weaves, and inspired by '70s-era shag pile carpets and cozy log cabins, each piece in the collection is handmade by artisans in Argentina.
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Brutalist Ceramics Inspired By the Pacific Northwest’s Most Famous Volcanic Explosion

LGS Studio, a ceramics brand founded by Thomas Renaud and Noel Hennessy, is currently based out of Los Angeles. But the company actually got its start a few years back in a garage in Portland, Oregon, where the founders were living at the time. Which is what makes their latest collection all the more personal — called Tephra, it's inspired by growing up in the Pacific Northwest in the aftermath of the 1980 Mount St. Helens volcanic eruption.
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#365vases

This Norwegian Designer is Making a Vase Every Day for 365 Days

We've known artists who have committed to making a drawing a day, or graphic designers who have created a digital poster each night when they return home from their day job. But never had we seen a designer take on the task of making a three-dimensional object — much less one that needs to be glazed, fired, photographed, and Instagrammed — for each day of the year, until we were browsing the account of Ann Kristin Einarsen earlier this spring. Her #365vases project — in which she designs a vase a day with a new set of parameters each month — is next level.
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