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John D’Agostino’s Empire of Glass

On the photography blog Feature Shoot: An interview with artist John D'Agostino, who uses smashed stained-glass Tiffany windows from the 1930s as photographic negatives. D'Agostino's grandfather rescued the shards from the East River when Tiffany's studio was being torn down; the grime crusted on them from being stored away for 75 years now forms a crucial part of his imagery. "The layers of detritus on the surface of the glass have decomposed into wonderful biomorphic forms [that] combine with the layers of color underneath," he says. "This creates a dialogue between past and present."
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committeespread

Established & Sons’s Design Against the Clock

Sighted at Gestalten: The Berlin-based book publisher posts a video documenting Established & Sons's Design Against the Clock event at last week's London Design Festival, which invited five teams of designers to spend a day creating works in front of the public. "There's somewhat of a distance that's been created through technology between the actual material and the hand-eye coordination of making things, and that's what I'm keen to experiment with," says E&S co-founder Sebastian Wrong.
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catland

Monika Wyndham’s Funny Cool File

Many artists claim to need restriction in order to thrive — Matthew Barney famously made a series around the subject — and find the idea of freedom paralyzing, like standing at the edge of a vast creative abyss. Vancouver native Monika Wyndham, on the other hand, seems to be energized by endless possibility. In February, she left a full-time position art-directing interiors for the Canadian clothing chain Aritzia to move to Brooklyn and freelance, and she's taken to the professional vacuum with a kind of giddy abandon, flitting among dozens of ideas she finally has time to follow through on — even if she's unsure as to what end. And then there's the high she gets from losing herself in one of her biggest sources of artistic fodder: Google Images. "It’s just baffling to me how much information exists on the internet, and the fact that you can enter funny combinations of words and yield the most insane multitude of search results," she muses.
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BIRD

Sruli Recht, Product Designer

Sighted on Design Milk: A Friday Five interview with the intriguing Icelandic designer Sruli Recht, whose studio is "a small cross-disciplinary practice caught somewhere between product design, tailoring and shoe making," it writes. In the story, Recht shares five of his materials inspirations, including the chest of an Atlantic Seabird given to him by a leather tanner.
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Julian Faulhaber, photographer

Sighted this week on The Morning News: "German photographer Julian Faulhaber captures public spaces — supermarkets and parking garages — in the moments between their construction and when they are opened for public use. His long-exposure photos, which remain untouched after developing and for which he uses only available lighting, look unreal and Photoshopped. But what does it mean to say that reality looks Photoshopped?"
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This white-oak sori-dai-kanna compass plane from Japan and cast-iron Kunz 100 pocket plane from Germany look like a score from the FAO Schwarz toy store in Manhattan, but they’re actually razor-sharp tools for delicate woodworking.

A Carpenter’s Tool Box

A glimpse inside the toolbox of Bruce Greenlaw, a carpenter and architectural woodworker in Northern California. He explains: "It never fails that, as I perform my rituals to prepare for carpentry, such as sharpening plane irons and lubing gears, I see tools as something more than merely form following function. If only for a moment, I see art, animated by timeless design, world geography, and memories—every bit as riveting as the architecture and furnishings it helps to create."
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