Galerie Néotu Was Legendary In Its Heyday. A New Show in NYC Invites You to Experience the Radical Furniture That Put it On the Map.

In 1984, Gérard Dalmon and Pierre Staudenmeyer co-founded Néotù in Paris — a now-legendary project existing somewhere between a gallery and a furniture producer, a home for designers who considered furniture to be a fine art medium, and a mode of emotional expression. Néotù wasn’t beholden to any particular aesthetic, though you could loosely and retrospectively apply the Postmodern descriptor. Rather, they sought to put divergent styles in conversation with one another and provide a singular home for a multiplicity of voices. They also wanted to challenge the then-dominant production and distribution models. The name itself is a phonetic wordplay on “néo-tout” or neo-everything. A new show, Néotù: The Visionary Years, now gives the gallery its due.

03.09.22

Excerpt: Exhibition

A Retrospective of 1980s Furniture Visionary Paolo Pallucco Opens in Paris

If you’ve been following the trend cycle of archive and vintage furniture over the past few years, you'll have noticed by now that the 1980s are back in a big way. We’ve recently covered a few — like Czech Modernist Bořek Šípek and Italian artist-designer Pucci de Rossi — but it seems like every month there's a new figure that's resurfaced and reevaluated in the present day. The latest is designer and manufacturer Paolo Pallucco, whose brief stint at the helm of his eponymous brand produced some of the most radical furniture of the decade — and who is now the subject of a new exhibition in Paris at Ketabi Projects.