Gruzis in his studio, in the Red Hook neighborhood of Brooklyn. He bikes there from his apartment in nearby Carroll Gardens six days a week. “I made art all the time as a kid,” he says. “I was an only child, so I just shut out the world and hung out in my own space — which I still do today, all day every day. I never really planned on being an artist, but I couldn’t really think of anything else I wanted to do, and I don’t like working for other people.” The two paintings in the foreground typify his aesthetic, which is inspired by the likes of Memphis, Saved by the Bell, and Patrick Nagel. The one on the left is actually part of a series painted over digital prints of cheesy beach tees he bought in Florida.
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Gruzis in his studio, in the Red Hook neighborhood of Brooklyn. He bikes there from his apartment in nearby Carroll Gardens six days a week. “I made art all the time as a kid,” he says. “I was an only child, so I just shut out the world and hung out in my own space — which I still do today, all day every day. I never really planned on being an artist, but I couldn’t really think of anything else I wanted to do, and I don’t like working for other people.” The two paintings in the foreground typify his aesthetic, which is inspired by the likes of Memphis, Saved by the Bell, and Patrick Nagel. The one on the left is actually part of a series painted over digital prints of cheesy beach tees he bought in Florida.