“I find the darkroom to be the natural extension of the light,” he says. “When you’re under the enlarger you’re working in direct contact with it, modeling it with your hands, finding the balance between tonalities, arranging them through your fingers and feeling the weight of the light.”
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“I find the darkroom to be the natural extension of the light,” he says. “When you’re under the enlarger you’re working in direct contact with it, modeling it with your hands, finding the balance between tonalities, arranging them through your fingers and feeling the weight of the light.”