Choosing a filter for the exposure. “This enlarger is from 1954,” D’Agostin notes. “It’s the kind I used in Ralph Gibson’s darkroom. He got it from Robert Frank. Larry Clark printed everything on this kind as well. When I started working with Ralph, I bought this one online, because nobody wants it. It’s the most amazing enlarger.”
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Choosing a filter for the exposure. “This enlarger is from 1954,” D’Agostin notes. “It’s the kind I used in Ralph Gibson’s darkroom. He got it from Robert Frank. Larry Clark printed everything on this kind as well. When I started working with Ralph, I bought this one online, because nobody wants it. It’s the most amazing enlarger.”