A table in Krantz’s studio laid out with works in progress and remnants of previous work. “I tend to make a lot more than what I’m going to need for a show because I don’t exactly know, in the moment, where things are going to go, so I end up editing out things that don’t really work. But I generally save them and sometimes they’re great in another context.”
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A table in Krantz’s studio laid out with works in progress and remnants of previous work. “I tend to make a lot more than what I’m going to need for a show because I don’t exactly know, in the moment, where things are going to go, so I end up editing out things that don’t really work. But I generally save them and sometimes they’re great in another context.”