Odds and ends from past installations, including a show at the cooperative Seattle gallery Soil. Part of Krantz’s process involves saving older pieces and re-purposing them into new contexts and arrangements. “I never know when something might become useful later.” She also finds it helpful to work with “materials that already have my hand imbued in them, so it’s not like starting from scratch.”
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Odds and ends from past installations, including a show at the cooperative Seattle gallery Soil. Part of Krantz’s process involves saving older pieces and re-purposing them into new contexts and arrangements. “I never know when something might become useful later.” She also finds it helpful to work with “materials that already have my hand imbued in them, so it’s not like starting from scratch.”