Everything We Loved at Collectible’s First Design Fair in New York City

Last Sunday afternoon, as the first NYC edition of the Brussels-based contemporary design fair Collectible was just about to wrap, one of the fair directors paused in front of our booth and asked me how I thought the show had gone. “There are designers here we’ve never heard of,” I marveled, intending it as high praise indeed: For a European fair to show up on New York’s doorstep and show us something new (especially a fair planned in less than four months), well, I’d call that a success. Collectible, which took place at the burgeoning FiDi creative hub WSA, managed to both assemble a cornucopia of new ideas and draw a crowd, all from across the Atlantic. We brought our own dose of novelty to the show, with a booth that — while similar to our NY Design Week exhibition — showcased a new batch of 11 cabinets by 11 different design studios, all punctuated by hardware from my recently launched showroom, Petra.
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A Speaker That Looks Like a Sculpture, and So Much More, From a New Australian Design Talent

There’s a raw simplicity to Australian designer Tom Fereday’s work that comes from applying simple gestures to great effect. The majority of his pieces are sculpted or constructed from a single material, and have one, carefully considered defining feature. Take his Cor light, a pillar of travertine with fileted corners, from which a curved slice is pared away to reveal a hollow core and a light source that glows from within. Or his Cove Lounge, a chair with a slender metal frame that — rather than wrapping around the backrest — elegantly disappears into the curved panel on one side and reemerges on the other. “I try to add innovation in the pieces from a perspective where we might look, for example, at articulating engineering details with natural materials,” Fereday says. This approach to simplified and sophisticated contemporary form-making is proving to be a hit with design lovers worldwide.
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Carsten in der Elst Lets the Materials Lead Him Where He Wants to Go

Raw is the adjective that first comes to mind when looking at the work of German designer Carsten in der Elst. There's his Graywacke Offcut Series, for which in der Elst exclusively uses the jagged "crust" that's discarded when turning sandstone slabs into German sidewalks; his Accession chair, whose seat is formed from a sawn carpet of latex tubes resembling pasta noodles; and his ongoing Aluskin seating series, whose shells are crafted from the cast-off skins salvaged from high-precision aluminum production and whose cushions are foam remnants that puff up, lumpily, like loaves of sandwich bread. His designs feel contemporary and fresh but continue the red thread of predecessors like JB Blunk, Max Lamb, and Kwangho Lee (the former two in der Elst cites as inspiration). Like in der Elst, all of these designers seem to tease form from a material, allowing its inherent properties to lead to the final shape. 
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This Victorian Home in Melbourne is a Love Letter to Tile and Stained Glass

For its latest project, a full renovation and extension of a Victorian weatherboard residence in Melbourne, Australia, the team at YSG Studio — based in Sydney and founded in 2020 by Yasmine Saleh Ghoniem —was tasked with a distinct challenge. At the head of the client's family were two spouses with divergent styles: one Egyptian-Australian and drawn to the pattern, color, and shapes of Middle Eastern design; the other Danish and partial to Scandinavian minimalism. Even more? Both partners have a kind of color-blindness that makes neutral tones appear washed out. In addition to melding these two aesthetic tastes, YSG needed to make an older house complement and connect with a newer addition — the first built project to be completed by YSG’s in-house architectural team since its addition to the team in 2022. See the results after the jump!
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Announcing Our 2021 American Design Hot List Honorees

Today we’re pleased to announce the honorees of our ninth annual American Design Hot List, an unapologetically subjective editorial award for the names to know now in American design. The list acts as Sight Unseen’s guide to those influencing the design landscape in any given year — whether through standout launches, must-see exhibitions, or just our innate sense that they’re ones to watch.
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Audo, Our Go-To for Cozy Danish Furniture, Just Dropped a Whole Slate of Products Perfect for Small-Space Living

By now, we’ve established that Copenhagen’s 3 Days of Design is a staple on the annual design-fair circuit, particularly as many Danish brands forgo Milan in favor of their own city, where their work can be exhibited both in context and in a more sustainable fashion. For Audo Copenhagen, this summer's 3 Days offered the opportunity to celebrate the brand's Nordic roots — and newly released products — at the revitalized Audo House in the Nordhavn district. Launched in 2019 as a combination monobrand store, restaurant, and residence, Audo House got a glow-up this year in collaboration with Stockholm’s Note Design Studio to showcase updated favorites. But perhaps it's ironic that Audo's refreshed collection launched in summer, as so many of Audo's products are designed for maximum indoor coziness. As such, many of the products this season arrive in new, more petite sizes.
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When Their Commercial Work Dried Up During the Pandemic, This London Studio Bought a Laser Cutter and Started Making Furniture From Aluminum Scrap

As Jamps Studio, a London-based design and fabrication consultancy, Martha McGuinn and Tom Pearson collaborate with artists like Marguerite Humeau and Yinka Ilori and help create the design environments for exhibitions at the Venice Architecture Biennale and the Victoria and Albert Museum. Friends for a decade, McGuinn and Pearson studied together at the Royal College of Art, teaming up on a few small projects while Pearson was employed in fabrication and McGuinn worked as a high-end cabinet maker. Six years ago, they made their own practice official with Jamps Studio. Post-pandemic, that sense of play, inventiveness, and fun has now led to By Jamps, objects and furniture McGuinn and Pearson make out of leftovers — mostly aluminum — from fabrication projects they’ve done. If it’s an exercise in letting nothing go to waste, By Jamps also springs from a love of a particular material: the versatility and mutability of aluminum.
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Week of August 26, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the New York debut of the Collectible design fair — featuring yours truly! — plus a sunny new store on the Aegean coast, R&Company's new American triennial, and the chicest reissue from Knoll.
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The 10 Best Modernist Buildings in Greece, According to Objects of Common Interest

They work so fluidly across geographic boundaries — regularly exhibiting everywhere from Milan to Miami, Brooklyn to Brussels — that it's easy to forget that the design duo behind Objects of Common Interest are Greek, born and bred. (In addition to their studio in New York, they also keep an office in Athens, too). Today they're offering Sight Unseen readers a history lesson in Greek architecture, compiling their ten favorite Modernist buildings around the country, some still in use and some gone (but not forgotten).
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10 Process-Driven Designers to Watch, According to Designer/Gallerist Max Radford

Having spent the last three years inviting some of the region's most promising design talents into his eponymous London gallery (names like Lewis Kemmenoe, EJR Barnes, Andu Masebo, Isobel Alonso), interior designer and curator Max Radford's group exhibition lineups are now considered a veritable who's who of the UK scene. But Radford also keeps an enthusiastic eye on the goings-on outside his home turf, of course, and today he's sharing the ten most-promising non-UK designers who, like many on his own roster, are making process-driven furniture and lighting. 
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The Top 10 New-Gen Vintage Dealers in the US, According to For Scale’s David Michon

We're willing to bet that as a Sight Unseen reader, a decent percentage of your Instagram feed is devoted to vintage dealers, whether you're actually in the market or just need a daily adrenaline hit of killer finds. Post-COVID, their numbers have only multiplied, and today's guest list-maker is an expert in their ranks: David Michon, the design scribe behind For Scale, a heady Substack in which he discusses topics like "airport terminal as home décor" and the "un-curation of domestic space," and keeps an ever-evolving list of top-tier décor sources around the world.
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The 10 Things You Should Have in Your Bedroom, According to Charlap Hyman & Herrero

Most of us spend the majority of our time and money perfecting the look and feel of our living rooms, and then fail to offer the same attention to the space where we spend more than 1/4 of our lives: our bedrooms. Granted we're unconscious for many of those hours, but it's hard to overestimate the impact that good design can have on our mood and thus, ultimately, the quality of our rest. Today, Adam Charlap, co-founder of the bi-coastal architecture and interiors firm Charlap Hyman & Herrero, shares the ten objects you'd find in his fantasy bedroom, from midcentury lighting to a set of faux bois sheets his grandparents slept in that are still on the market today.
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