04.25.24

Fair Report

Formafantasma’s Queer-Coded, Modernism-Inspired Solo Show Was the Best Thing We Saw at This Year’s Milan Fair

In the whirlwind of this year’s Salone, Formafantasma’s perfect solo show, La Casa Dentro — presented on the quiet second floor of the Fondazione ICA Milano — made us stop and catch our breath. La Casa Dentro (meaning The Home Within) is as much a collection of furniture and lighting as it is a meditation on design, memory, the familiar, and the uncanny. It conjures a dream state where the clinical feel of a medical office gives way to the comforts of an old family home (if your grandparents were the kind with an eye for stylish detail). Bent tubular metal forms are combined with embroideries and embellishments painted on wood, floral patterns, and silky decorative fabric. It's work that takes certain signifiers of the past and reanimates them in a new moment. Attempting to “queer the codes of Modernist design,” as the designers put it, the collection is as conceptually charged as it is materially stunning, and its theoretical considerations can’t be unraveled from personal and emotional ones.

04.23.24

Excerpt: Exhibition

An All-Female Welding Team Built Studio Kuhlmann’s Gorgeous, Stainless Steel Ode to Lucid Dreaming

Lucid Dreams, the new solo show from German designer and welder Hannah Kuhlmann, is an ode to unconscious depths, afternoon naps, and theta state reverie. On view at St Vincents gallery in Antwerp through mid-May, these pieces evoke an atmosphere somewhere between illusion and reality, following a kind of dream logic where the unexpected is encountered and absorbed. Lucid dreaming, after all, is when you realize you’re dreaming in your dream. “I wanted to capture the essence of those moments of heightened awareness within our subconscious,” Kuhlmann says. “The title Lucid Dreams speaks to the surreal experience of being both asleep and awake, where the mind wanders freely and perceptions shift.”

04.19.24

Excerpt: Exhibition

If You Like Architectural Details, You’ll Love This Comprehensive Archive of Modernist Buildings and Interiors, On View in Milan

Unless you’re very offline, design-wise, you probably know about Prague-based architecture historian and curator — as well as frequent Sight Unseen contributor! — Adam Štěch. On his well-loved Instagram account, @okolo_architecture, he’s been assiduously and beautifully cataloging 20th-century architecture and interior design details for years. His photographic efforts aren’t simply representative, they’re revelatory, and they’re currently on view as part of Salone in his Elements exhibition at Dropcity, a new center for architecture and design in Milan. By focusing on the parts — the lighting, seating, tables, railings, doors, handles, windows, floors, and more — Štěch’s 3,000 images give us a new sense of the whole: not only the larger project of how a particular building was put together in a cohesive way, but a comprehensive view of how architecture and design developed and moved throughout the last century, charting the differences and similarities of Modernist buildings over time and through place.

04.09.24

Excerpt: Exhibition

Caroline Walls’s New Exhibition — Named for a Joy Division Song — Explores the Artist’s Ideas About Intimacy and Ambiguity

Mystery and accessibility, our public and private identities, what we can only glimpse of other people and what we may not even know about ourselves — these are the puzzles at the heart of Caroline Walls’ first solo show, Touching from a Distance, at the James Makin Gallery in Melbourne. “I’m interested in how much we reveal of ourselves to the outside world, and how this can create or diminish connection and intimacy between ourselves and others,” says the New Zealand–born, Melbourne-based Walls, whose large oil paintings of striped, billowing fabric both contrast with and complement her more figurative works of the female form. Taken together, her oil paintings inhabit a space somewhere between abstraction and representation, exposing different regions of the same thematic territory: emotional intimacy.

04.06.24

Saturday Selects

Week of April 1, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a new exhibition space in Buenos Aires, a soft/hard collision in the USM x Comme Si pop-up, and the chicest utility knife we've ever seen.

03.28.24

Q+A

Architectural and Archetypal, Kalon Pieces Are Defined By Their Thoughtful Details

Since 2007, Michaele Simmering and Johannes Pauwen have been producing work that is as poetic as it is practical through their Los Angeles studio, Kalon. The studio borrows its name from an Ancient Greek concept of ideal beauty that comprises both physical and moral aspects. It’s a high bar to set. In their practice, Simmering and Pauwen take a principled approach that seriously considers the environmental and social impact of what they do; “sustainability” has become an overused word, but for Kalon, it’s a true ethos, guiding not only their production process — in terms of the materials and labor involved — but also how their designs exist in the world. To celebrate Kalon joining the Sight Unseen Collection, we checked in to get a sense of what’s changed — and what hasn’t — since we last touched base.

03.26.24

Sighted

In Julie Richoz’s New Mirrors for Vitra, Color Theory and the Tiniest Details Work to Change the Way We See

When Julie Richoz, a Swiss-French designer in Paris, was envisioning her new Colour Frame Mirror for Vitra, she was drawn to elemental forms, inspired in part by wooden building blocks and toys, those staples of childhood. “I like the innocent gestures they refer to — the simple pleasure of playing with colors and shape,” she says. But even as her mirror references those basic objects, it also moves beyond them. There’s a fun lightness here, but there's also a high degree of sophistication, precision, and intent.

03.20.24

Excerpt: Exhibition

A New Show — and a New Location — for Superhouse is Allowing Stephen Markos to Think Big

It's fitting that Paa Joe’s Celestial City is the inaugural show in Superhouse's expanded space. Not only because the Ghanaian sculptor’s work spans art and design, but because it speaks to a certain aesthetic conversation between the present and the past that Superhouse has been participating in — a contemporary revival of an early '80s aesthetic, kind of Postmodern, occasionally mixed with Warholian commercial iconography. It sparks thoughts on how we interact with brands and the commodification of just about everything, but it’s also… fun.

03.18.24

Interiors

In Her Debut Interior, Tabitha Organ Uses Texture To Create the Illusion of Time

In 2023, after a decade of working in the industry — most notably with that subject of eternal Sight Unseen fascination, Sella Concept — Tabitha Organ founded her own interior design studio, Tabitha Isobel. Its first residential project, a five-floor Victorian townhouse in London, predictably wows. A previous renovation left the space devoid of character, so the goal was to restore some of its former glory while speaking to the current moment and anticipating the future. The studio achieved this with a mix of vintage and new elements and a contrast throughout between hits of reflective, shiny chrome surfaces and the warmth and richness of wood.

03.16.24

Saturday Selects

Week of March 11, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a bookend that reminds us of a thicc 70s-era font, a chair series inspired by Rainer Maria Rilke, and a glass collection by LA artist Austin Fields, with sinuous curves reminiscent of the human body.

03.07.24

Sighted

A Bronze Mirror Side Table, A Stained Mahogany Dining Table: Our Favorite Finds From CB2’s New Black in Design Collection and More

There are two things happening at CB2 right now that we find endlessly exciting. The first is their ongoing collaboration with the estates of design legends like Paul McCobb and Gianfranco Frattini; that's a McCobb task chair paired with a Frattini desk above, and can we talk about this striped outdoor sofa?! The other initiative is something that we mentioned in our Q&A with Evan Jerry of Studio Anansi last summer: the Black in Design collective, which brings together, under Jerry's curation, works by 13 Black designers. This spring welcomes Niger’s Atelier Masomi, founded by Mariam Issoufou Kamara, and Nifemi Marcus-Bello’s nmbello Studio in Lagos, Nigeria, to the fold, along with a slate of new pieces from the Collective's existing studios.

02.21.24

Sighted

Known Work — the Furniture Spinoff of Interiors Studio Parts and Labor Design — Just Launched an Immediately Iconic Debut Collection

Perhaps it was inevitable that Parts and Labor Design, a New York interiors studio noted for its atmospheric hospitality projects — including the subterranean Negroni bar Sotto, which we featured last fall — would launch a furniture design studio. After all, some of the more memorable details from their interiors have often been custom, in-house designed fixtures, which explore the tension between kinetic material and earthly texture. Called Known Work, their furniture arm debuted its first collection, Perceptions, at Zona Maco in Mexico City last month as part of Sculpted, a joint show with artist Jorge Yazpik, curated by Materia. The collection consists of nine pieces, each as alluring as you might expect.