La Double J’s New Milan Offices Are, Fittingly, a Five-Floor Explosion of Color and Pattern

Erstwhile journalist and lifelong tastemaker JJ Martin was way ahead of the game on maximalism. Back in 2015, the Milan-based American expat was founding her housewares and clothing company La Double J, and though her target audience at the time was rather different from ours — Europe's social set — she built a colorful, joyful brand that has since won over pattern-lovers of all stripes, including yours truly. To mark La Double J's ascension into fashion and design's popular vernacular, as well as celebrate its 10th anniversary, she opened the doors during last week's Salone to its impressive new home in Milan, which is just as exuberant as its offerings.
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In Milan, Objects of Common Interest and Marsèll Team Up on an Exhibition That Uses Materials as Spatial Interventions

When the Italian boutique leather brand Marsèll opened its showroom a year and a half ago on Via Spiga, Milan's luxury shopping street, it was an exercise in restraint — similar to the shoes and bags on offer, the interior, by Berlin's Lotto Studio, took a minimal approach to form, with almost all the emphasis on the interplay of high-end natural materials like glass, stone, stainless steel, and walnut. That elegant spareness has made it not only the perfect visual expression of the brand, but also the perfect neutral backdrop against which to stage designer interventions during the Milan furniture fair. Last year Marsèll welcomed Gonzalez Haase AAS into the space, and this year, Objects of Common Interest — the New York– and Athens–based practice of Eleni Petaloti and Leonidas Trampoukis — did the honors, with a two-floor installation called Adaptive Ground that "explores the relationship between space and material."
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The 9 Best Things We Saw at Frieze Week Los Angeles 2025

We would be remiss not to address the relatively somber mood the LA wildfires cast over this year's Frieze week, an event that typically traffics in the commerce (and celebration) of extreme wealth while, for the rest of us, turbo-charging the sleepy LA social calendar to a welcome, if exhausting, degree. There were still sales to be made and parties to attend, to be sure, but everything felt a little quieter, a little more contemplative — and important to everyone to somehow acknowledge the context in which the fair was happening, whether in content or conversation.
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A Wonderfully Cohesive Debut From Tobias Berg, Sight Unseen’s Best in Show Winner at Greenhouse, the Stockholm Showcase for Emerging Design

At the Stockholm Furniture Fair earlier this winter, we found the thing we're always searching for at these things: a designer whose work is so sophisticated and ready for the market that they're bound to be in the conversation for years to come. (A booth full of bangers, if you will.) And so our Best in Show at Greenhouse award this year went to Tobias Berg, a Norwegian designer with one of the most assured debuts we've seen in years.
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25 Projects We Loved at 2025’s Stockholm Design Week

This year marked the fifth time I've attended the Stockholm Furniture Fair, so at this point I consider myself something of an armchair expert in the machinations of this small but mighty fair. All over town this year, there were conversations about the future of SFF, which has contracted in recent years due to a mix of factors — including the pandemic, a protracted recession, and the rise of fellow Scandinavian fair 3 Days of Design — and now seems to be in a transition period, with a new director at the helm (Daniel Heckscher, formerly of Note Design Studio) and a ticking clock at its heels. (The fair was recently sold by the city of Stockholm and the current fairgrounds are due to be demolished in 2027 to make way for housing). And while I still maintain that an imminent location change ought to push the fair's organizers to move the dates to a more welcoming time on the calendar (would love to never Google "is there snow on the ground in Stockholm" again), I also began to reframe my thoughts this year about what success really means against the backdrop of a global design calendar.
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All the Best Things We Saw at This Year’s 2025 Fog Design+Art Fair in San Francisco

Traveling to last month's FOG Design+Art fair was a particularly charged experience for me this year — held two weeks after the wildfires that devastated Los Angeles, where I've been hibernating all winter, it was something of a reprieve; a chance, both literally and figuratively, to take a breath after all that happened here. Of course I only had the privilege to do so because I was unaffected materially by the fires, unlike so many others facing horrible loss, but it's just to say that traveling to a fair in the wake of a tragedy was not such a frivolous event as it may have been in past years. I was eminently more grateful just to be there. Seeing good work was merely the icing on the cake.
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Now In Its 24th Year, Dutch Design Week Remains One of the Best Places to Scout Playful, Innovative Objects

In its 22nd year and featuring more than 2,600 designers over 120 venues, Dutch Design Week continues to impress us. Our favorite objects from Eindhoven this year delighted by building upon history and what has come before — both in terms of personal memory as well as a collective — while also presenting surprising innovation, and, in many cases, a sense of playfulness. Below were just a few of our favorite exhibitions and pieces.
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Three Design Exhibitions We Can’t Stop Thinking About from Paris Art Week

The so-called “City of Light” first earned its sobriquet in the 19th century, not only for the city’s early adoption of street lamps, but for its contributions to science and art. Remaining true to its reputation, our three favorite shows from Paris Art Week boasted innovative design pieces against the backdrop of unique or unlikely venues, from the famous and historical Rue de Seine, to Karl Lagerfeld’s former mansion, to a 17th century Gothic-style secular temple to humanism.
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11 Things We Loved at September’s Paris Design Shows

Earlier this month, at Paris Design Week and its concurrent shows, we were especially drawn toward work that explores material richness and depth — the use of upholstery to add dimensionality, tactility, and coziness, as well as furniture that highlights the grain and various textures of wood. Attention to detail is seasonless but there’s something about the change in the air, the way autumnal light shifts your perspective and what it attunes you to. Below, 11 of our favorite designers, launches, collars, and more from the week.
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