Milan Preview: Jorge Penadés’ Aquatic-Inspired Aluminum Vases

Jorge Penadés has been popping up on our radar a lot lately, and the Spanish designer’s latest move is a collaboration with the manufacturer BD Barcelona, a furniture brand known for its extensive design catalogue and pioneering technology in aluminum extrusion dating all the way back to the 1970s. Entitled Piscis, the six different vases are made from extruded aluminum profiles, converted from the offcuts of old tables and shelves (including those by Konstantin Grcic) produced over the last 50 years in BD Barcelona's factory.
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Designer, Painter, Sculptor, Architect — This Parisian Multihyphenate is About To Be Everywhere

The Instagram bio of Paris-based designer Garance Vallée once included the designation “HumanCreativeRomantic;” a quick scroll through her works, and painter, illustrator, jewelry designer, sculptor, and furniture designer could all easily be included as well. Vallée is a quintuple threat who recently completed her master’s degree in architecture and scenography, where she focused on concrete pieces, or what she considers “objects as small architecture.” But whichever medium she’s in, Vallée seems equally at home.
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Week of March 18, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A new Scandinavian art-glass obsession, a dreamy glass-blocked interior, a daring, granny-chic textile, plus where to find — and buy! — our limited-edition rugs for Kasthall.
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Preview Studiopepe’s Immersive Installation For the 2019 Milan Fair, Inspired by Tarot Cards and Divination

Studiopepe's installation Club Unseen, at last year's Milan design week, was the perfect setting in which to experience design in the way it's meant to be experienced. Which is why we're excited to announce that during next month's fair, Studiopepe will stage a second presentation with the same immersive feel. Called Les Arcanistes, it will feature new ceramic tiles by Studiopepe for Bardelli, new colorways of the pair's Pastilles furniture for Tacchini, and lighting by one of our favorite brands, Areti, in a presentation exploring "the interplay between matter and divination."
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17 Projects We Loved at This Year’s Collectible Fair in Brussels

We didn't have the pleasure of personally attending this year's Collectible design fair in Brussels, where Sight Unseen hosted an installation by Objects of Common Interest, yet word traveled quickly back to us that those who did had taken to referring to our presentation as "the famous booth," an accolade that Instagram seemed to confirm. We were flattered to hear it, of course, but also honored to share the spotlight with so many other great presentations by galleries and up-and-coming designers. Click through to see our favorites.
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Week of March 11, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A sneak peek at works bound for this year's Milan fair, our dream sofa in bright blue velvet, a new source for discovering Latin American design talents, and an alternative to terrazzo for anyone who's just about had enough.
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Think Women Are Underrepresented in the Creative Arts? This Exhibition Does Too

The design world hasn't yet grappled with the chronic underrepresentation of women by brands — the Instagram @showmealist was a good idea that seems to have sadly fizzled out — but female designers and curators are doing just fine supporting each other, thankyouverymuch. The latest is an exhibition at Ox Poblenou in Barcelona, inaugurated on International Women's Day and curated by Sanna Völker, a Swedish furniture designer and curator living in Spain.
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Five Artists We Loved At Armory Arts Week 2019

Armory Arts Week was admittedly a little weird this year. Collective Design took a sabbatical, as did NADA, which hosted a gallery open downtown in place of its sprawling art fair. Spring/Break moved out of its former Condé Nast digs and we never quite made it to the new location. And, oddest of all, the pier that typically hosts VOLTA showed structural damage at the eleventh hour, leaving a raft of galleries and artists homeless (some were folded into a last-minute show at David Zwirner galleries titled, appropriately, Plan B). Luckily, there was still plenty to love.
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