In Hannah Bigeleisen's lamps, a papier-mâché base and fringed shade are similarly patterned, creating the illusion that they're made from the same material.
Hamilton Holmes's hand-painted Oxalino collection draws together disparate inspirations, from classical forms to meditation to old tattoos and French country.
Nazara Lázaro's Crooked Collection was borne of the one thing that might strike fear into the majority of designers' hearts — no 90-degree angles, and no symmetry.
Martina Guandalini's tables and vases pair traditional scagliola bases with tops made of cast resin, in an attempt to create a poetic union of old and new.
Rachel Shillander's new series is inspired by copper roof finials and plumbing pipes, the latter of which are normally hidden inside walls and here take center stage.
Elise McMahon's new Roll daybed and chair play with proportional contrasts — pairing stocky frames with soft, channel-tufted denim cushions that appear casually flung across them.
Laun's Ribbon chair and stool are each made from one consecutive tube of extruded aluminum — allowing for solid color schemes or all manner of multicolored stripes.
Lambert & Fils's Dorval lamps are at first glance serious and industrial, but have a refined stylishness that make them perfectly suited to homes or offices.
Gaspard Graulich pays tribute to his childhood spent on a tropical volcanic island, using furniture as a way to comfort us — or evoke a sense of discomfort.
For his new bench and shelf, Daniel Nikolovski took inspiration from baroque mirror frames and classical Italian stucco ornamentation, modernized using digital manipulation.