How Should We Live Now? In Milan, RISD’s Objects May Shift Exhibition Offered a Woozy Vision for Our Domestic Future

As a general rule, Milan thrives on spectacle. Some of the most memorable Salone exhibitions in recent years have relied on elaborate scenography, from Established & Sons in 2010 — when the British furniture brand filled a former Jai Alai court with walled "rooms" made from stacks of untreated tulipwood — to 2018, when Hermès constructed, over the course of three weeks inside a Milanese museum, seven towering pavilions made from thousands of jewel-toned zellige tiles. (Ask me what was inside those pavilions? Zero recollection.) So how is a student-run exhibition, from a newly founded design course exhibiting in Milan for the first time, supposed to compete? That was the conundrum facing 20 Rhode Island School of Design students, who debuted the conceptually-driven show Objects May Shift at Salone Satellite in Milan last month.
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F Taylor Colantonio’s Solo Show in Venice Makes You Feel Like You’re in an Underwater Grotto

To enter F Taylor Colantonio’s show Frutti di Mare (literally, fruit of the sea) is to be submerged in an otherworldly environment, a kind of aquatic grotto where things are fluid and surreal. Glowing forms that have a rippling effect, as if underwater; vessels that feel like remnants of an ancient civilization or like they landed here long ago from outer space. It’s Colantonio’s solo debut with the roving gallery Object & Thing, in partnership with D.H. Office.
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Fritz Hansen Blends In With the Furniture — Literally — at the Catskills Retreat Piaule

These days, it’s not uncommon for a hotel group to launch its own homeware line. A homeware line that launches a hotel, however, is slightly more novel. But that’s exactly what Piaule founders Nolan McHugh and Trevor Briggs did: bought 50 acres of land in the Catskills, built a dreamy eco-friendly boutique resort designed with Garrison Architects, and opened to guests in 2021 with the primary aim to better connect them with nature. Surrounded by woodland and overlooking the mountains, this idyllic setting and its Scandi sensibility was a no-brainer for Danish furniture brand Fritz Hansen to install and showcase its first outdoor furniture collection.
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50 Pieces and Presentations We Loved at The 2024 Milan Furniture Fair

Rather than seeing the ever-spiraling array of events at Salone as a source of FOMO and a series of missed opportunities a journalist could never hope to comprehensively cover, we began to look at Milan in a new light this year, and you'll see that reflected in our coverage. We'll be devoting longer stories to particular favorites, or to things that maybe passed under your radar, rather than doing roundups of every single thing we saw and liked. We'll be focusing as much as possible on independent designers. We'll be shining a light on smaller, non-newsy things we saw, like the wonderful Cini Boeri archive exhibit at a library in Parco Sempione we never knew existed? For now, though, here is our one roundup of 50 favorites.
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An Interview With Formafantasma, Whose Queer-Coded, Modernism-Inspired Solo Show Was the Best Thing We Saw at This Year’s Milan Fair

In the whirlwind of this year’s Salone, Formafantasma’s perfect solo show, La Casa Dentro — presented on the quiet second floor of the Fondazione ICA Milano — made us stop and catch our breath. La Casa Dentro (meaning The Home Within) is as much a collection of furniture and lighting as it is a meditation on design, memory, the familiar, and the uncanny. It conjures a dream state where the clinical feel of a medical office gives way to the comforts of an old family home (if your grandparents were the kind with an eye for stylish detail). Bent tubular metal forms are combined with embroideries and embellishments painted on wood, floral patterns, and silky decorative fabric. It's work that takes certain signifiers of the past and reanimates them in a new moment. Attempting to “queer the codes of Modernist design,” as the designers put it, the collection is as conceptually charged as it is materially stunning, and its theoretical considerations can’t be unraveled from personal and emotional ones.
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The Moody Textures — and Glass Blocks — of This California Restaurant Set the Vibe

Los Angeles-based designer and 2023 American Design Hot List-er Jialun Xiong has a strong background in interiors, architecture, and furniture design, all of which is on full display at her latest project, the new City of Industry restaurant 19 Town. Xiong went for “lavish restraint” in this 4,200-square-foot space, divided into dining and lounge areas that are each subtly well-defined yet work together as a whole.
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These 5 Installations in Milan Turned Materials Into the Main Event

I spent a lot of last week in Milan thinking about innovation in materials; in presentation after presentation, some of the best work to emerge from the fair came from materials companies who had hired A-plus designers to translate their raw product into something almost implausibly beautiful. From recycled aluminum to post-industrial plastic to a company that's asking us to reconsider the humble linoleum tile, here are five of our favorite materials-based projects from the week.
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An All-Female Welding Team Built Studio Kuhlmann’s Gorgeous, Stainless Steel Ode to Lucid Dreaming

Lucid Dreams, the new solo show from German designer and welder Hannah Kuhlmann, is an ode to unconscious depths, afternoon naps, and theta state reverie. On view at St Vincents gallery in Antwerp through mid-May, these pieces evoke an atmosphere somewhere between illusion and reality, following a kind of dream logic where the unexpected is encountered and absorbed. Lucid dreaming, after all, is when you realize you’re dreaming in your dream. “I wanted to capture the essence of those moments of heightened awareness within our subconscious,” Kuhlmann says. “The title Lucid Dreams speaks to the surreal experience of being both asleep and awake, where the mind wanders freely and perceptions shift.”
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If You Like Architectural Details, You’ll Love This Comprehensive Archive of Modernist Buildings and Interiors, On View in Milan

Unless you’re very offline, design-wise, you probably know about Prague-based architecture historian and curator — as well as frequent Sight Unseen contributor! — Adam Štěch. On his well-loved Instagram account, @okolo_architecture, he’s been assiduously and beautifully cataloging 20th-century architecture and interior design details for years. His photographic efforts aren’t simply representative, they’re revelatory, and they’re currently on view as part of Salone in his Elements exhibition at Dropcity, a new center for architecture and design in Milan. By focusing on the parts — the lighting, seating, tables, railings, doors, handles, windows, floors, and more — Štěch’s 3,000 images give us a new sense of the whole: not only the larger project of how a particular building was put together in a cohesive way, but a comprehensive view of how architecture and design developed and moved throughout the last century, charting the differences and similarities of Modernist buildings over time and through place.
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This Milanese Brand — and Its Newest Collection, Just Launched in Milan — Brings the Maximalist Trend to Your Table

We noticed a funny little recurring motif at this week's Milan fair: At many of the gatherings we attended, we were served wine and/or water from the kind of frilly, classical goblets you might expect to find at a fancy summer garden party in Tuscany rather than in the middle of a big city known for its Modernist design. But maximalism has been on the rise in our world for awhile now, and the proof can be seen not just in our design-week drinkware but in the rise of brands like Sophie Lou Jacobsen, Gohar World, Levant, and the Milanese fashion and housewares label La DoubleJ, for whom frilly goblets are an enduring staple. La DoubleJ's founder J.J. Martin is known for her love of pattern-mixing, florals, vibrant colors, and all things old-school Italian, and the label's latest tabletop collection, Solar, embodies all those tendencies.
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A Former Kenzo Design Director Finds Creative Freedom in a Pivot to Ceramics

When you’ve spent seven years as design director for a major Parisian fashion brand — in this case, Kenzo, the luxury house founded in 1970 by Japanese designer Kenzo Takada — where do you go from there? In Ben Mazey's case, the answer was: move back to the Antipodes, set up a ceramics studio, and fall in love with the creative process all over again. The New Zealand–born Mazey was on vacation in Australia when the pandemic hit; he took the opportunity to put down roots and began exploring clay as a material with total freedom. Out of this self-directed sabbatical came a highly expressive world of colorfully glazed pieces, and a unique visual language that’s not easy to define, in the best possible way.
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Caroline Walls’s New Exhibition — Named for a Joy Division Song — Explores the Artist’s Ideas About Intimacy and Ambiguity

Mystery and accessibility, our public and private identities, what we can only glimpse of other people and what we may not even know about ourselves — these are the puzzles at the heart of Caroline Walls’ first solo show, Touching from a Distance, at the James Makin Gallery in Melbourne. “I’m interested in how much we reveal of ourselves to the outside world, and how this can create or diminish connection and intimacy between ourselves and others,” says the New Zealand–born, Melbourne-based Walls, whose large oil paintings of striped, billowing fabric both contrast with and complement her more figurative works of the female form. Taken together, her oil paintings inhabit a space somewhere between abstraction and representation, exposing different regions of the same thematic territory: emotional intimacy.
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Week of April 1, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a new exhibition space in Buenos Aires, a soft/hard collision in the USM x Comme Si pop-up, and the chicest utility knife we've ever seen. 
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