032c Interviews Rick Owens

Sighted on 032c's website: Carson Chan interviews the American fashion designer Rick Owens about his work and his interest in architecture and interior design. Regarding the latter, Owens replies: "I’m very much a dilettante. I’m not a connoisseur, and I don’t have the memory for all the names and dates. People ask if it’s different to design furniture than clothing, and the answer for me is no. Doesn’t every designer want to design their entire environment, and apply their aesthetic to everything around them?"
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Patternity, furniture and textile designers

For Anna Murray and Grace Winteringham, pattern is everywhere — in the flaking paint of street bollards and the crisscrossing beams of scaffolding, in the fashion photography of Mel Bles and the banded stiletto heels of Parisian shoemaker Walter Steiger. Together, Murray and Winteringham run Patternity, a studio and online resource for pattern imagery where each photo is curated, sourced, or taken by the designers themselves. Spend some time on the site, and their obsessions become clear: One week it’s rocks and strata; another it’s the vivid African textiles that line the stalls of the Ridley Road street market that runs daily in Dalston, the East London neighborhood both women call home.
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Eudon Choi, fashion designer

Since graduating from London’s Royal College of Art in 2006 with a master’s degree in womenswear, Eudon Choi has had his graduate collection picked up by the fanatically worshipped Dover Street Market, been a senior designer for Savannah and Sienna Miller's label Twenty8Twelve, and been called a “fabulous individual” by our favorite throwback men’s fashion mag Fantastic Man. All of which makes his decision to move to London in 2003 — after having already completed a master’s in menswear at Yonsei University in his hometown of Seoul — seem like a pretty good move. “London, and womenswear in particular, just felt like a place where I could be more experimental,” says Choi.
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Welcome to Vörland, by Reed Young

Reed Young’s photography career has taken him from a sumo wrestler’s home in Tokyo to the sugarcane fields of the Dominican Republic to the halls of Fabrica, the Benetton-owned creative lab for young talent in Treviso, Italy. But he probably wouldn’t have gotten to any of those places if he hadn’t faked his way into art school. At 17 and a middling student at a Minneapolis senior high, Young, now 27, borrowed a photography portfolio from a friend and was accepted into his hometown’s prestigious Perpich Center for Arts Education on its merits. “When I arrived, I think they found it a bit strange that I didn’t know the difference between an aperture and a shutter speed,” he says.
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