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12 Dozen Egg Cups

Here at Sight Unseen, we have a pretty strict bias against kitsch. But every so often we stumble upon a project that, while somewhat gimmicky, injects so much fun into the daily routine and has such roots in formal and material investigation, that it’s impossible to deny its utter lovability. We discovered such a project from the Leicester, England–based creative duo 12 Dozen Egg Cups, whose initial outing to a pottery class at a local community center developed into a challenge to repurpose the ubiquitous egg cup 144 different ways in the space of 12 months.
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Plastic sculpture, $40: "This was made by two guys I went to school with, Barry Doupe and Dennis Ha. Barry’s actually an animator, he makes these surreal drawings and he wanted to make them three-dimensional and use interesting materials, so they've been turning them into these plastic sculptures."

Jacob Gleeson of The Tent Shop

It would be easy to assume a lot about The Tent Shop, a new online store run by the Vancouver-based artist Jacob Gleeson — namely, that it might be in the business of selling tents. Or, with its deadpan write-ups and roster of vintage ephemera, amateur art, and back-catalog pieces by artist friends, that the shop might be some Canadian version of Partners & Spade, and Gleeson a hyper-aware collector engaging in an art-world prank, à la Claes Oldenburg’s The Store (1961). In fact, neither is quite true. The shop’s name stems from its planned incarnation in the physical world: Gleeson intends to purchase a heavy-duty canvas tent in which he can randomly host events around Vancouver. And as for Gleeson, though he did a stint at Vancouver’s Emily Carr University of Art + Design, he tends to view his new venture through the lens of an anthropologist more so than an artist or even a shopkeeper. “I started with the intention of showing these things together as much as wanting to sell them,” he says. “I’m drawn to the individual objects but something about putting them next to each other makes them even more interesting to me, which is why I leave things up on the site even after they’ve sold. The record of an object’s existence has as much value to me as the object itself.”
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