In This Banner Year for Outdoor Art, Anders Ruhwald’s IMA Garden Installation is a Standout Favorite

At Newfields, the gardens that surround the Indianapolis Museum of Art, Detroit-based ceramicist Anders Herwald Ruhwald installed an exhibition of 10 large-scale ceramic works. Titled Century Garden, the sculptures — many of which are meant to hold plants — were tucked into the wilder, more overgrown parts of the garden; though the ceramic surfaces appeared almost tie-dyed, mottled as they were with yellows and blues, tangerine oranges and greens, they were camouflaged amongst the flowers and native plants, creating an uncanny effect.

10.14.14

Q+A

Jonathan Nesci in Conversation With Matt Olson of RO/LU

When it comes to design, it's easy to forget about Indiana. Easy, but unfair — just ask anyone familiar with the legacy of Columbus natives Irwin and Xenia Miller, whose Eero Saarinen house is one of many architectural landmarks the pair commissioned in and around their hometown. Or ask the editors of Sight Unseen, who included not one but two Indiana-based talents in our American Design Hot List last week. One of them, Jonathan Nesci, debuted a project over the weekend that underscored both arguments: Invited by curator Christopher West to create a site-specific installation on the grounds of Eliel Saarinen's First Christian Church — also a Miller commission — Nesci conceived the stunning project 100 Variations, consisting of 100 unique, mirror-polished tables aligned in a grid in the church's courtyard. He developed the tables using the Golden Ratio, an ongoing preoccupation in his work that similarly informed Saarinen's. We snagged the first photos of the installation, which was on view for only three days, then invited Matt Olson of the Minneapolis studio RO/LU to discuss the project — and its oft-overlooked setting — with Nesci. Read their conversation after the jump.