Adam Stech on Italian Futurism, Part II: The 1930s Ceramics of Mazzotti and Nikolay Diulgheroff

Like many of the best art movements of the early 1900s, the radical Italian Futurist movement was most-known for two-dimensional works, but encompassed the applied arts as well. One of its more interesting — yet largely forgotten — practitioners was the late designer and artist Nikolay Diulgheroff, for whom ceramics became a medium of dynamic expression for his and the Futurists’ ideas.

10.24.22

From the Archives

Adam Stech on Italian Futurism, Part I: Tour Four of Italy’s Most Avant-Garde Interiors

In the 1909 manifesto for one of the most controversial avant-garde art movements of the 20th century — Italian Futurism — founder Filippo Tommaso Marinetti confessed his admiration for the modern age and its inventions, for speed, the roar of engines, and the rage of war weapons. The group’s paintings and sculptures attempted to depict the speed and dynamism of the industrial age, but Futurism’s reach also extended to a practice in architecture and interior design, and in the past few years I toured Italy to uncover few of its best spaces.