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Nick Ross’s Objects of Ambiquity Series

In the fictional narrative behind his Objects of Ambiquity series, Nick Ross is a designer from the future who's been hired by a history museum called The Institution to work as an "object mediator," delving into the origins and possible uses of any mysterious artifacts the rest of the staff can't identify. When he presented the project at the Konstfack graduate thesis show earlier this year — including his White Lies table (pictured above), A Mirror Darkly, and Baltic Gold shelves — he staged the presentation as if it were a snapshot from The Institution itself, his pieces being among the targets of his imagined discovery process. "The story of Objects of Ambiquity is a vessel used to highlight the role of fiction within historical records," says Ross. "While doing this, it simultaneously questions the designer’s possible future role within this context and how this will alter our understanding of what a museum is."
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Kent Fonn Skåre, Artist and Graphic Designer

Being that he's still a student at Konstfack in Stockholm, you've probably never heard of Norwegian artist and graphic designer Kent Fonn Skåre. But his work, even at first glance, is ridiculously easy to love: It's got a heavy focus on materials, lots of marble, and a whiff of Memphis — yes, the three "M"s, the golden trifecta of the current avant-garde, or at least the little corner of it that we're obsessed with, which also includes folks like Clemence Seilles and Jens Praet. We discovered Fonn Skåre via a fleeting image on Pinterest, but found surprisingly little information on him and the ideas behind his work, so we did what we do best, harassing the poor man until we were able to tease out a bit of insight into his practice. Check out the interview and accompanying photos here, then bookmark Fonn Skåre's Flickr feed to browse more of his graphic design work and follow his future projects.
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