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This Breakout Korean Lighting Brand Was One of Our Favorites at Maison & Objet

For its debut, the new Korean lighting brand AGO has collaborated with designers from Korea, Switzerland, and Sweden to present eight collections that blur the lines between residential and contract. Each AGO collection has a distinct personality, from the elegant Bell by JWDA — a spotlight that brings a friendly form to traditionally cold track lighting — to the Mozzi by BYMARS, whose gentle dimple recalls lightly-poked mochi.
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B-FIT Assemblage by Fact Non Fact

B-FIT, a project by the Seoul-based design collective Fact Non Fact, is the very definition of eye candy — the geometric shapes it comprises are meant not to function in specific ways, but merely to look pretty and highlight the materials they're made from, which include iron, brass, plaster, terra cotta, marble, wood, glass and concrete. If "A-FIT," according to Fact Non Fact, refers to all the objects in our lives that are optimized for specific functions, like chairs or door handles, "B-FIT" refers to the kinds of objects that aren't. After making the pieces, designers Jinsik Kim, Yuhun Kim, and Eunjae Lee brought them to life in three ways: as a physical installation, as a conceptual deskscape, and as the Assemblage images you see here.
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The colors themselves also change as the pieces are fired. “I can now manage to calculate the right temperature for each color, but the patterns and the way the paint flows and drips is always different from what I expect,” Lee says. “But that’s what I enjoy about it.”

Kwangho Lee’s Enamel-Skinned Copper Series

Kwangho Lee fancies himself a simple man. The 29-year-old grew up on a farm in South Korea watching his mother knit clothes and his grandfather make tools with his bare hands, which ultimately became the inspirations behind his work. He values nostalgia and rejects greed, and more like a craftsman than a designer, he prefers sculpting and manipulating ordinary materials to engineering the precise outcome of an object. “I dream of producing my works like a farmer patiently waiting to harvest the rice in autumn after planting the seed in spring,” he muses on his website. It all starts to sound a bit trite, but then you see the outcome: hot-pink shelves knitted from slick PVC tubing, lights suspended inside a mess of electrical wire, towering Impressionist thrones carved from blocks of black sponge. Lee may have old-fashioned ideals, but he designs for the modern world, and that’s the kind of transformative alchemy that draws people to an artist.
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