Is Bed Rotting the Biggest Trend to Come Out of Milan?

I'm slightly wary of what I'm about to write. After all, the last time I talked about a design trend reflecting our collective desire to escape, we plunged, not a month later, into the pandemic — which was certainly an exit from contemporary life of sorts. But while scrolling through Instagram during this month's Milan furniture fair, I began to notice an inescapable trend along those same lines: Beds were absolutely everywhere.
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Crumpled Silver & Pillowy Stone — This Cult Favorite Jeweler’s First Furniture Collection Explores Some Familiar Themes

There’s a creative tension that animates the work of Anna Jewsbury, founder and artistic director of Completedworks in London. It centers on the push and pull between “ornament and practicality,” as she puts it, exploring a balance of function and frivolity. What often results are pieces, loaded with character, that make you look twice — if not again and again — trying to figure them out. Completedworks began in 2013, with jewelry, before delving into ceramics and homewares. But most recently, Jewsbury decided to branch out even furniture, launching the brand's first-ever collection at Villa Borsani with Alcova in Milan earlier this month.
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La Double J’s New Milan Offices Are, Fittingly, a Five-Floor Explosion of Color and Pattern

Erstwhile journalist and lifelong tastemaker JJ Martin was way ahead of the game on maximalism. Back in 2015, the Milan-based American expat was founding her housewares and clothing company La Double J, and though her target audience at the time was rather different from ours — Europe's social set — she built a colorful, joyful brand that has since won over pattern-lovers of all stripes, including yours truly. To mark La Double J's ascension into fashion and design's popular vernacular, as well as celebrate its 10th anniversary, she opened the doors during last week's Salone to its impressive new home in Milan, which is just as exuberant as its offerings.
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In Milan, Objects of Common Interest and Marsèll Team Up on an Exhibition That Uses Materials as Spatial Interventions

When the Italian boutique leather brand Marsèll opened its showroom a year and a half ago on Via Spiga, Milan's luxury shopping street, it was an exercise in restraint — similar to the shoes and bags on offer, the interior, by Berlin's Lotto Studio, took a minimal approach to form, with almost all the emphasis on the interplay of high-end natural materials like glass, stone, stainless steel, and walnut. That elegant spareness has made it not only the perfect visual expression of the brand, but also the perfect neutral backdrop against which to stage designer interventions during the Milan furniture fair. Last year Marsèll welcomed Gonzalez Haase AAS into the space, and this year, Objects of Common Interest — the New York– and Athens–based practice of Eleni Petaloti and Leonidas Trampoukis — did the honors, with a two-floor installation called Adaptive Ground that "explores the relationship between space and material."
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