Adam Stech on Italian Futurism, Part I: Tour Four of Italy’s Most Avant-Garde Interiors

In the 1909 manifesto for one of the most controversial avant-garde art movements of the 20th century — Italian Futurism — founder Filippo Tommaso Marinetti confessed his admiration for the modern age and its inventions, for speed, the roar of engines, and the rage of war weapons. The group’s paintings and sculptures attempted to depict the speed and dynamism of the industrial age, but Futurism’s reach also extended to a practice in architecture and interior design, and in the past few years I toured Italy to uncover few of its best spaces.

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Excerpt: Exhibition

Sculpture or Furniture? Supaform’s New Collection Puts Feeling Before Function

In Russian designer Maxim Scherbakov's new furniture exhibition at Rome's Contemporary Cluster gallery, he asks the question: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we're not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are.