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The Past Is Never Dead, by Philipp Schenk-Mischke and Matthias Klas

The Past Is Never Dead is the thesis project of Philipp Schenk-Mischke and Matthias Klas — soon to be graduates of the University of Applied Sciences in Darmstadt, Germany — and as such it has the required amount of critical thinking to back it up: "Taking an object and shifting the focus from form and use to the thoughts it provokes was the starting point of this project," the designers write. The shape of their Cabinets (above), they add, "comes from the metaphor of breaking conventions: parallel ash frames stand for the stuck structures of today's world while skewed lines ... try to break free from common notions to discover the new." That's all well and good, but we think all you need to understand this work is two eyeballs. We're looking forward to using them to see what the pair does next.
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James Shaw, Furniture Designer

I recently wrote an article for a forthcoming issue of Architectural Digest on the London talent Anton Alvarez, whose Thread-Wrapping Machine has captivated the design world as of late, and in it, his gallerist Libby Sellers makes the point that what's so of the moment about his work is that he isn't just making objects, he's making the object that makes the objects. And it's so true: Many of the more interesting young designers we've come across in the past few years have been the ones shifting their focus towards developing their own weird and wonderful production processes, like Silo Studio for instance. There's just something about this unexpected inventiveness that captures people's curiosity, which explains why the latest project by newcomer James Shaw — a series of homemade "guns" that spray or extrude materials into or onto furnishings — went viral on the design blogs shortly after he presented it at his RCA graduation show. In work like his, it's about the journey, not just the destination. So Sight Unseen, right?
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