To the extent that we cover art on Sight Unseen, it makes sense that we’d naturally gravitate towards action painting — artists may always have plenty to say about the relationship of their work to the viewer, or to philosophy, or to the context of art history, but most of the time we’re interested in something a little more prosaic than that, like how they get their hands dirty, and why they’ve chosen one medium over another. With gestural works, it’s all about the process, and the liminal moments just before and after materials cease to be ordinary and paintings transform into something more than the sum of their parts. The work of the Greenpoint-based artist Landon Metz is a perfect example: His paintings are about painting, and how colorful enamel shapes laid down on a tilted canvas will move and evolve as their surface interactions and drying times are influenced by factors like humidity, daylight, and temperature (kinda reminds us of this old story we did with the Berlin designer Clemence Seilles). Sight Unseen contributor Paul Barbera visited Metz’s studio recently for Where They Create, and — oh lucky day! — he did our work for us, creating his own podcast interview with the artist which you can listen to right here. Then check out the slideshow at right and follow this link back to Where They Create to see many, many more photos of Metz’s workspace, plus tons of other studio visits.