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Week of September 9, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the latest exhibition of enigmatic work by Jonathan Muecke, several new specimens of curvy and blobby furniture, and a show of paintings by Brian Rideout whose source material is 1970s interior photography (above).
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Week of August 19, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new hanging mobiles by two geometry-obsessed design studios, an auction for the ACLU of artworks by the likes of Sam Moyer and Zoe Latta, and a trio of 3-D rendering talents — including Oscar Piccolo, above — imagine their ideal smoking rooms.
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A New Show Takes Inspiration From the Same Idea That Drove Duchamp and the Dadaists

For Hilda Hellström’s latest exhibition at Étage Projects, opening this Friday, the Swedish-born, Copenhagen-based artist looked to a rather unusual source for inspiration: a semi-obscure literary idea known as "pataphysics," popularized by the 19th-century French poet and playwright Alfred Jarry (and once memorably referred to as "your favorite cult artist’s favorite pseudoscience" by Pitchfork). Pataphysics is a philosophy that gives credence to that which exists even beyond the metaphysical realm — in other words, the imaginary, the irrational, and the unreal.
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This Art-For-Hire Company By a London Interiors Stylist is a Genius Idea

As an interiors stylist, Laura Fulmine was constantly on the hunt for license-free art that could easily be photographed and shared — a deeply frustrating task made even harder by more stringent recent copyright laws. So she did what any reasonable person in 2019 might do: She started a company that would offer the exact thing she had always been searching for.
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Week of May 6, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Airbrushed ceramics made from analog paintings, our favorite discoveries from two French design shops, and the best of this year's Frieze New York.
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Week of April 29, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, a light inspired by an iconic hat, a colorful gift shop we'd like to move into, and a donation-based Los Angeles home rental on a do-good mission.
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Today We’re Revealing Our Secret Source For Discovering New Talents — Including These 23 Artists and Designers

If you're one of the many, many people who have always wanted to ask us the same million dollar question — how do we decide who to feature on Sight Unseen? — pay attention, because we're answering it here today. First things first, we feature people and things we like, it's as simple as that. More complex is how we find those people and things. Some of our biggest sources are Instagram, exhibitions we attend, and submission emails we receive. But not too long ago, we found another source that's an endless wellspring for discovering new names in art and design: Cargo.
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Week of April 15, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A sneak preview of an all-star Spanish design exhibition coming to New York next month, the hard-to-get pastel-colored glassware we're pining for, and a jaw-dropping new collaboration between a Belgian fashion designer and architect, pictured above.
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Week of April 1, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Solo exhibitions abound by some of our favorite artists, burl wood and glass blocks continue to pop up in unexpected places, and a killer collaboration by two New York talents is one of our favorite launches so far this year.
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Frustrated by the Limits of Design, Material Lust Sets Its Sights on the Art World

Not much had recently been heard from Material Lust until this March, when, after a few quiet years, they popped back on our radar, showing neither at a design gallery nor a furniture show, but at the New York art fair Independent, in a Spring Studios skybox overlooking a maze of gallery booths. Frustrated by the literalness of conversations they were having in the world of furniture design — and with their practice taking an increasingly conceptual turn — the pair made the conscious decision to turn Material Lust from a design brand into an artist collective.
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