Gabrielle Teschner on Why Being an Artist Is a Job You Can’t Lose

Gabrielle Teschner’s signature “Sculptures-That-Are-Flat” are made of individually painted planes of muslin that are stitched together, then ironed. Their scale ranges from hand-held (called ‘Minutes’ and measuring around 7x10 inches) to environmental, monolithic (up to 16x14 feet). Employing the symbolic and physical language of architectural forms, spatial relationships, and, often, weather patterns, Teschner explores dichotomies, concepts of strength and softness, force and flow, and phenomena of perception, among other impulses and ‘attractions,’ as she calls them. All of these are a way of understanding and questioning what it is to be in the world.
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Obsessed With Materials? This Italian Brand Is Turning Them Into Wall Art

Most object designers — and object-lovers too, ourselves included — have an unusually heightened appreciation for materials. We can feel moved simply by the surface texture of clay, or by the way a piece of glass reflects light, or by the curious reaction of metal to certain chemicals or industrial processes. That notion is at the heart of Design Editions, a novel new project making its debut at Suite NY that treats materials like paintings, framing them so they can be hung on the wall and admired.
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Week of February 28, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Virginia Sin releases the bathroom accessories of our dreams, Linde Freya Tangelder designs a $15,000 bathtub, and Hauvette & Madani complete a very modern renovation of a landmark 1926 apartment in Paris (pictured).
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Sculpture or Furniture? Supaform’s New Collection Puts Feeling Before Function

In Russian designer Maxim Scherbakov's new furniture exhibition at Rome's Contemporary Cluster gallery, he asks the question: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we're not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are.
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Pom Pom Pillows and Hand Rugs: The Sight Unseen Gift Guide, Part III

For those of you who would rather give your partner a hand-thrown ceramic vase than a mass-manufactured one, or are more into gifting your sibling a carved-wood ice bucket than the latest iPad, this guide is for you: Click through to see and shop our top 14 handmade gifts from Wescover's stable of independent makers — including Maja Dlugolecki, Christopher Norman, Esque Studio, and more.
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Win a $2,000 Credit For This Zwirner-Backed Site That Lets You Buy High-End Art in Your Pajamas

By doing away with the inquiries-only model, the new click-to-buy online marketplace Platform makes acquiring high-end art easy and transparent — you don't even need to be a collector, much less a VIP, to shop it (interior designers take note!). Backed by David Zwirner gallery, it offers 100 original works each month, by artists ranging from Lily Stockman to Erin O'Keefe to Kalup Linzy, at prices ranging from $1,500 to $50,000 — and if you win this giveaway, you could have one of them hanging in your living room. Click through to enter!
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Week of September 20, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: tables inspired by California's kidney-shaped pools, Gustaf Westman's latest furniture drop, and a colorful installation by Germans Ermics at last week's Design Miami Basel show (above).
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For His New Collab With Kvadrat, Artist Danh Vo Wrapped an Entire House in a Rediscovered Nanna Ditzel Textile

Kvadrat’s newest fabric release, Sisu, doesn’t look particularly remarkable in photos at first glance. A thick wool woven in 16 different two-color pairings, it closely resembles its cousin, Hallingdal, the best-selling textile designed in the 1960s by Danish icon Nanna Ditzel. But when we learned the full story behind its discovery and development — in collaboration with the artist Danh Vo — it was so interesting we didn’t even know where to begin telling it.
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Week of July 12, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a rainbow-colored housewares store in Berlin, the latest extruded-plastic works by James Shaw, a group show of vases by 19 ceramicists, and a highlight from this year's Design Parade in France (above).
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The Old is New in Gippeum Roh’s Still Life–Inspired Paintings and Ceramics

Gippeum Roh’s paintings have the flattened perspective of Cézanne’s apples, the muted color palette and tight interlocking composition of a Giorgio Morandi still life, and a hint of the sensuousness of Georgia O’Keeffe’s flowers and landscapes. Asked about the source of her visual repertoire, Roh says, “My painting is about the everyday things that I bring to my studio. I collect things and place them, just as in the long tradition of still life painting. Light and shadow; natural, cool or warm light play an important role in revealing the appearance and essence of objects.”
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