Pattern for Yemen affordable artist editions

Buying One of These Affordable Artist Editions Will Go to Help a Major Humanitarian Crisis

Pattern for Yemen, an initiative to raise money for the humanitarian crisis in Yemen, was organized by Melbourne's A Friend of Mine and The Souvenir Society, who asked 15 major artists to create an artwork on cloth in an edition of 50 — a wash of green ink from Ronan Bouroullec, an exploded geometry by Nathalie Du Pasquier, colorful grids by Darkroom designer Rhonda Drakeford, a blocky composition by Michael Wall, and more.
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Week of September 3, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a beige neoclassical fantasy interior, a new iridescent mirror by Fort Standard, and a series of vessels that are helping us make the case that stained glass is back and better than ever.
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The Mesmerizing Color-Field Paintings — Both Digital and Canvas — of Artist Ana Montiel

Questions about the nature of perception ­— the what, why, and how of consciousness ­— have been driving the work of Mexico-based artist Ana Montiel lately. And while any definitive answers to such age-old puzzles remain elusive, Montiel's work provides a kind of aesthetic response, making those mysteries both visual and material. There’s a mesmeric, meditative quality to her canvas and digitally-created color field paintings, reminiscent of the Light & Space art of the '60s and '70s.
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Week of August 6, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week took us around the globe and back, with the discovery of two Taiwanese talents, new tables made in Portugal by our favorite Brazilian designer, a minimalist flower shop in Russia (pictured), PLUS an extremely gorgeous way to get out the vote right here at home.
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Week of July 9, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: David Hockney inspires a poke spot — of all places — in Berlin, Roll & Hill reopens its New York showroom with a stellar new line-up, and two OFFSITE alums open up their respective Brooklyn apartments, furnished in works of their own making.
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Villa Stenersen was commissioned as a family residence in the late 1930s by Rolf Stenersen, a Norwegian stockbroker who had amassed a huge collection of modern art. It was designed, says Gudrun Eidsvik — the National Museum of Art, Architecture and Design curator who gave us our tour — as a villa for receptions. "This was and is a really high-society neighborhood, and the house often played host to parties with artists and authors and theater people. The foyer was quite empty — they needed that space to be free — and the bar was essential."

Inside Villa Stenersen, Oslo’s Under-the-Radar Gem of Modernist Architecture

We first came across Villa Stenersen on a trip to Norway in 2016 and immediately fell in love with the corrugated wall, the glass bricks, the bright blue facade, the free-standing columnal fireplace, and, of course, the colors. Our visit there was so magical that when we heard one of our favorite photographers, Tekla Severin, was visiting Oslo, we implored her to photograph the house for us in all its waiting-to-be-refurbished glory.
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These Woven, Color-Field Canvases Look Almost Like Paintings

Brooklyn artist Ethan Cook is sometimes referred to as a painter, but we've yet to find an instance of him actually putting a brush to canvas. When we first started following Cook's work, after an introduction in 2012 from Iko Iko in Los Angeles, he was manipulating canvases by way of bleaching and dyeing the fibers; he then moved on to combining hand-woven canvases with store-bought ones in a kind of super high-end, abstract patchwork. His work for the past few years, though, has involved making large-scale woven pieces entirely by hand on a four-harness floor loom — our favorite iteration yet.
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Week of June 25, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week — a particularly rough one in America — was, naturally, all about escapism: A visit to the impossibly serene studio of Muller Van Severen (above), a theory on why design's current obsession with "cute," chubby furniture might be a salve for our political and economical troubles, and an incredible art park that has us daydreaming ourselves to New Zealand.
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Week of June 4, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: limited-edition prints by one of our favorite up-and-coming painters, a new line of large-scale planters inspired by Julius Schulman's Case Study House photos, and a solo show of sculptures by Carol Bove (above).
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At Morgan Lehman, Two Artists Exploring the Slippery Nature of Spatial Perception

Seeing the work of photographer Erin O'Keefe and painter Matt Kleberg side by side, it’s as if they are of one mind: the brightest orangey reds, the richest teals and greens, and the textured yellows; the crisp angles, the unexpected shapes, and the lively abstractions. Their current collaboration, a two-person exhibition titled Ecstatic Vernacular on view at Morgan Lehman in New York until May 19, is a conversation between the artists and their differing mediums.
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An Immersive Interplay of Light and Color at Volume Gallery in Chicago

The Chicago studio Luftwerk have made a career out of exploring the interplay of color, light, and colored light, as so many artists before them have done and so many will continue to do. But the defining factor of their work has always been its interaction with architecture, whether the duo were projection-mapping a light show onto Falling Water or bouncing trippy patterns off Anish Kapoor's bean in Millennial Park. This month, however, they left behind that construct to mount their first solo gallery show, at Chicago's Volume Gallery, where it's their ideas alone that are on display.
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Week of March 5, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: ceramic chainmail becomes a verifiable trend, Hyperallergic not-so-subtly shades The Armory, and the 26-year-old behind the @EttoreSottsass Instagram handle has more covetable furniture than our small staff combined.
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