I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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At the New Brooklyn Museum Café, 10 Stools by 10 Designers, Reminding Us of the Borough They Call Home

For as long as I toil in the trenches of design, I'll never tire of the design brief that goes: "Everyone please take this same basic thing and mold it in your image." The results of such an assignment are nearly always uniformly delightful, so I was happy to see the debut of this latest project, commissioned by the bicoastal studio Office of Tangible Space, run by Michael Yarinsky and Kelley Perumbuti. As part of the Brooklyn Museum’s 200th anniversary, Office of Tangible Space was asked to redesign the museum's cafe, and they called upon their Brooklyn design friends to each take a basic wooden stool, and from it, create a one-of-a-kind work of art with which to decorate the space.
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