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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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11.25.24

Sighted

Jermaine Gallacher Helped Pull This Celestial-Themed 1990s Textile Collection From the Archives

As a lover of all things vintage and archival, there are few things that excite me more than a project that plumbs the historical trove of a company or design movement and resurfaces its forgotten gems; it’s the same thrill I get shopping a flea market or antique mall and discovering something incredible that had previously gone unnoticed or been cast aside. Which is why I felt a pang of envy when I saw the launch earlier this month of Torch, for which TON magazine editor and interior designer Jermaine Gallacher got to help pull a collection of rugs and textiles out of a 90s time capsule and reimagine it for contemporary use. Originally titled Elements and Beyond, the celestial-themed series was the work of the seminal textile designer Christine Van Der Hurd, who celebrated 50 years in the business last year, and who spent 18 months working with Gallacher to revisit and refine her original vision.
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