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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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11.19.24

Sighted

With New Lights and a Serene New Showroom in Downtown Manhattan, Danny Kaplan is Cementing His Studio as a Major Creative Force

Danny Kaplan's Facet series is made of slab-built forms in first-time materials for the studio: perforated brass with a patina finish, stainless steel, or white painted steel (though the studio has stayed true to its ceramic roots, hand-sculpting clay models at the start of the production process). Hard, defined edges and angles paradoxically create a mellow mood, an atmosphere that’s serene and soothing. You could say the same thing about the studio’s new 4,000 square foot showroom, located in a pre-war cast iron warehouse building in NoHo; it's a meditative, calming exhalation that both resets and reinvigorates you.
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