A Former Kenzo Design Director Finds Creative Freedom in a Pivot to Ceramics

When you’ve spent seven years as design director for a major Parisian fashion brand — in this case, Kenzo, the luxury house founded in 1970 by Japanese designer Kenzo Takada — where do you go from there? In Ben Mazey's case, the answer was: move back to the Antipodes, set up a ceramics studio, and fall in love with the creative process all over again. The New Zealand–born Mazey was on vacation in Australia when the pandemic hit; he took the opportunity to put down roots and began exploring clay as a material with total freedom. Out of this self-directed sabbatical came a highly expressive world of colorfully glazed pieces, and a unique visual language that’s not easy to define, in the best possible way.
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I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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