I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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In a New Exhibition, Minjae Kim Unpacks Los Angeles Through a Lens of Wild Animals and Silent Film

Who else is obsessed with wild animals who become celebrities — living, as they often do, in the thick of human society? In 2023, I was gripped by the news about Flaco, the owl who escaped the Central Park Zoo and flew free in Manhattan for a full year. For Korean-born, New York–based artist Minjae Kim, it was P-22, the mountain lion who famously lived in LA’s Griffith Park from 2012 to until his death in 2022, who triggered the concept for Kim's latest exhibition at Marta gallery. Called Phantom-22, the show represents the “passage of creatures, ideas, and topographies that define Los Angeles as it continues its constant shift between fantasy and reality,” which Kim examines through this comprehensive body of work playing on several LA tropes. 
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