I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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At Three Design Hotels, A Sense of Place Rooted in the Local Environment

Hotels are often transitory, sometimes liminal, spaces. But three recently opened or newly renovated ones are rooted in their local environments, taking design cues from their surroundings and creating a distinctive atmosphere. You’re not just anywhere, or even in-between, you’re there: in Fukuoka City, Japan at Hotel Il Palazzo, in Tomales Bay, California at Lodge at Marconi (above), and at Otro Oaxaca, you’re firmly in the southern Mexican city.
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