I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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This New Rug Company Wants You to View Its Products as Works of Art

A serendipitous meeting in the mountains of Nepal birthed a new rug company called Maison Rhizomes, which employs the country’s expert artisans to create its colorful abstract designs based on the work of Belgian-French artist Charlotte Culot. Culot happened upon Berlin-based Hannah Vagedes up in the Himalayas in 2019, and the pair decided to join forces. By 2022 they had launched their first collection of 22 boldly patterned floor coverings, each modeled after a painting from Culot’s oeuvre, and which the duo hopes will be treated like artworks in their own right and passed down through generations.
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