I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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At This Wood-Clad Seaside Retreat, Iconic Scandinavian Lights Pair Perfectly With California Modernism

The Danish company Louis Poulsen is home to some of the world's most instantly recognizable lighting, designed by the greats. While all distinctively Scandinavian — there’s a certain precision and integrity combined with a playful inventiveness that’s somehow simultaneously cool and warm — these lights also work particularly well in the context of a West Coast golden-hour glow, the interplay of sun and soft shadows. Louis Poulsen's sculptural yet clean aesthetic naturally dovetails with the indoor-outdoor architecture of California modernism — both of which have been captured in a new interiors shoot styled and photographed by Lumens.
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