I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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After 100 Years in Business, You Might Think You Know the Iconic Swedish Design Store Svenskt Tenn. You’d Be Wrong.

Something funny happens when you're a company that's been around for a full century. People start to assume that they already know everything there is to know about you — that they've somehow osmotically absorbed your brand tenets or your ethos by virtue of you simply sticking around. For me, the storied Swedish design brand Svenskt Tenn, which is celebrating its 100th birthday this year, was one of those companies. But then I went to Stockholm in September on the occasion of Svenskt Tenn's centenary retrospective opening at Liljevalchs Kunsthalle, running through January 12. Called Svenskt Tenn: A Philosophy of Home, it spans thirteen thematic rooms, curated by Jane Withers together with Svenskt Tenn's head curator Karin Södergren. It was there I realized that what I knew about this company hardly scratched the surface.
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