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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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02.23.24

Up and Coming

A Deft Mix of Materials Earned This Swedish Studio Sight Unseen’s Best in Show Award at Greenhouse, the Exhibition for Emerging Design at Stockholm’s Furniture Fair

Adrian Bursell and Siri Svedborg were students at Konstfack back in 2018 when they made the tables that would become the initial studies for their Burn & Turn collection, which debuted at the Stockholm Furniture Fair earlier this month, and which earned them Sight Unseen's Best in Show award at Greenhouse, the fair's up-and-coming designer showcase. At the time, they were studying the Arts & Crafts movement in a degree program for Interior Architecture and Furniture Design, and they agreed to explore a table that might reflect the movement's values — one that could be functional yet decorative, using a kind of stripped-down ornamentalism inspired by the Swedish folk tradition.
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