I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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An Exhibition of 100 Hooks Has Us Totally Rethinking Our Wall-Mounting Game

The humble coat hook might be the most simple and effective design humans ever invented. It solves the problem so well that it’s often taken for granted (as most genius inventions are) and little attention is paid to its ingenuity, because it just works. Well, humble no more — the hook is celebrated in all its weird and wonderful variations in an exhibition called 100 Hooks presented by the estate of American sculptor JB Blunk. A hundred versions — by names like Jasper Morrison and Ilse Crawford as well as young artists and designers from across the US, UK, Europe, Mexico, and Japan — are all designed, at least nominally, for hanging clothing, towels, bags, hats, art, or whatever else needs storing or displaying. 
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