Architectural and Archetypal, Kalon Pieces Are Defined By Their Thoughtful Details   

Since 2007, Michaele Simmering and Johannes Pauwen have been producing work that is as poetic as it is practical through their Los Angeles studio, Kalon. The studio borrows its name from an Ancient Greek concept of ideal beauty that comprises both physical and moral aspects. It’s a high bar to set. In their practice, Simmering and Pauwen take a principled approach that seriously considers the environmental and social impact of what they do; “sustainability” has become an overused word, but for Kalon, it’s a true ethos, guiding not only their production process — in terms of the materials and labor involved ­— but also how their designs exist in the world. To celebrate Kalon joining the Sight Unseen Collection, we checked in to get a sense of what’s changed — and what hasn’t — since we last touched base.
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I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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