I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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In Barcelona, a New Exhibition Showcasing 26 Up-and-Comers on the Collectible Design Scene

Vasto, a Barcelona gallery for emerging design, originally began as an online platform in 2020. But within a couple of years, founder Carmen Riestra had opened the physical space Casa Vasto, creating an immersive environment for up-and-coming artists and designers. Collectible Barcelona, curated by Riestra, showcases pieces from 26 international designers, putting them in dialogue with one another – a conversation that’s both pointed and wide-ranging in its exploration of materials and its conceptual underpinnings.
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