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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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06.25.24

Up and Coming

This Parisian Artist Translates His Work Across Three Ancient Art Forms

When a sentence or phrase is translated from one language into another — and perhaps another, returning eventually to its native tongue — the result is often a completely different set of words whose meaning ultimately remains unchanged. For his Traduslation project, French-Swiss artist Réjean Peytavin has created an objects-based version of this kind of kinked-up inspiration funnel. Peytavin's multi-step development process typically involves drawing a found vessel, translating it first to carpet and then to wildly textured ceramics, allowing him to move his concepts through a series of physical states, carrying commonality from one form to another, yet ending up with three totally distinct collections of work.
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