03.05.10

What They Bought

Fair Folks & a Goat

At Fair Folks & a Goat, a new retail gallery and tea salon hybrid on New York’s Upper East Side, everything inside the gracious late 19th-century studio apartment is for sale. Well, almost everything — a small candy dish that reads “When I count my blessings, I count you twice” was a gift from co-owner Anthony Mazzei’s mother and “it’s a million dollars,” he jokes, while the vintage paperbacks lining a wall of shelves constitute an actual lending library. Here, the props and merch blend into a seamless backdrop for a new kind of social gathering. “We wanted to create a space for young people to have a home away from home, where instead of alcohol and loud music it would be more like a physical incarnation of a magazine, with design, art, fashion, and culture,” says Mazzei.

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03.03.10

Up and Coming

Rodrigo Almeida, Furniture Designer

To any reader who went to design school and is, years later, still making student loan payments month after month, you might want to close your eyes for this one: Rodrigo Almeida — the 34-year-old Brazilian furniture designer who's pals with the Campana brothers, has been featured in Wallpaper, and has made pieces for top galleries like Contrasts and FAT — didn't go to university, not even as an undergrad. What you're looking at here is raw talent, and a career that began when Almeida simply picked up the Brazilian magazine Arc Design six years ago and thought, "I want to do that."

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03.01.10

The Making of

Welcome to Vörland, by Reed Young

Reed Young’s photography career has taken him from a sumo wrestler’s home in Tokyo to the sugarcane fields of the Dominican Republic to the halls of Fabrica, the Benetton-owned creative lab for young talent in Treviso, Italy. But he probably wouldn’t have gotten to any of those places if he hadn’t faked his way into art school. At 17 and a middling student at a Minneapolis senior high, Young, now 27, borrowed a photography portfolio from a friend and was accepted into his hometown’s prestigious Perpich Center for Arts Education on its merits. “When I arrived, I think they found it a bit strange that I didn’t know the difference between an aperture and a shutter speed,” he says.

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02.26.10

At Home With

JP Williams, Graphic Designer and Archivist

Someone like JP Williams has enjoyed plenty of validating moments in his 20-year career as a graphic designer: Getting to study under one of his design heros, Paul Rand, at Yale; winning more than 100 awards for projects like his kraft-paper tea packages for Takashimaya; discovering that his collection of baseball cards from 1909 was worth enough to buy his wife and business partner Allison an engagement ring. All well and good, however none of it really compared, he admits, to the feeling of being validated by Martha Stewart.

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02.24.10

Studio Visit

Scholten & Baijings, Product Designers

The story of Stefan Scholten and Carole Baijings began, like many Dutch stories do, in a church. In the late ’90s, Baijings was working for an agency whose headquarters were located inside one of the country’s many abandoned houses of worship. Scholten, a graduate of the Design Academy Eindhoven, had a burgeoning design practice nearby. Scholten was asked to design a small bar for the agency’s office, and “the rest is history,” says Baijings.

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02.23.10

Sighted

Justine Reyes, Photographer

Sighted today on The Morning News: Taking inspiration from Dutch vanitas paintings, photographer Justine Reyes’s latest series “Vanitas” creates still lifes from contemporary objects, getting the composition, textures, and colors so precisely “right,” it’s a wonder we’re not seeing some 17th-century Flemish take on contemporary life.

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02.19.10

Up and Coming

Kimm Whiskie, photographer

There’s something charmingly mysterious about the 24-year-old Lithuanian photographer Kimm Whiskie. The name alone sounds like an alias (turns out the second half actually is — Whiskie did time in a rock-and-roll band) and its gender is ambiguous (an embarrassed email straightens this out). A request for an interview is politely downgraded to a Skype chat; when a portrait arrives, it’s a grainy Lomo shot of the photographer lying face down on the pavement.

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02.16.10

The Making of

Urban Daily Life by Reineke Otten

When Reineke Otten visits a new city, it feels a bit like looking at Richard Scarry’s children’s books, their pages crammed with the minutiae of daily life. As a “streetologist,” her job is to scrutinize the often mundane details of places like Paris or Dubai, photographing dozens of window shades, doorbells, and flea market stalls until she’s put together a revealing portrait of the local culture. Though most of Otten’s clients pay her for her sleuthing skills, her new website Urban Daily Life offers the rest of us a glimpse into what it's like to see the world through a magnifying glass.

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02.12.10

Excerpt: Book

Less and More: The Design Ethos of Dieter Rams

The products featured in Less and More: The Design Ethos of Dieter Rams will be familiar to any Rams disciple, but what struck us most about the book was a section devoted to Braun’s beautifully understated communication design and to that department’s fearless leader, Wolfgang Schmittel. He ran a tight ship — an in-house manual went out to each member of the design team with instructions on how to appropriately and inappropriately market the Braun product line — but as a result, the Braun image “differed greatly from the existing design forms of other manufacturers at the time, due to its clarity."

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02.09.10

8 Things

Esther Stocker, Artist

It's funny to hear Esther Stocker talk about reading between the lines. The Vienna-based painter is known for manipulating spatial geometry using the framework of the grid — both on canvas and in her trippy 3-D installations — until the mind starts making linear connections that aren't really there, trying to find order in the optically illusive chaos. But that's not what Stocker's referring to. She's talking about Charles Schultz's Peanuts.

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02.08.10

Invitation

A Color Study by Raw Color

It’s not unusual for a designer to become synonymous with a single project. Think of Konstantin Grcic’s galactic-looking Chair_One, or Stefan Sagmeister’s AIGA poster carved into his flesh with an X-Acto knife. For Christoph Brach and Daniera ter Haar, it’s more like eponymous: A project called Raw Color gave their studio its name (though it's since become known as 100% SAP so as to avoid confusion) and it has consumed them by varying degrees since they graduated from the Design Academy Eindhoven in 2007.

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02.03.10

8 Things

Alexandra Verschueren, Fashion Designer

At 22, Alexandra Verschueren has interned for Preen, Proenza Schouler, and Derek Lam. She’s been honored by a jury that included former Rochas creative director Olivier Theyskens and the International Herald Tribune’s fashion critic Suzy Menkes. And in the last six months, her graduate collection Medium has been fêted by Wallpaper magazine and the Mode Museum in her hometown of Antwerp. So why, when she applied to that city’s Royal Academy of Fine Arts straight out of high school, did no one expect she’d get in?

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