It was French artist Yves Klein who, in 1960, first used women’s bodies as canvases, covering them in blue paint to study the impressions they made on paper, while an orchestra played on. Swiss-born multi-disciplinary artist Caroline Denervaud’s vibrant, abstract artworks recall Klein's pioneering performative work, and also comprise the emotionally raw, humanistic approach to movement as seen in the works of visionary German dance choreographer Pina Bausch. “She was the first person who inspired me,” recalls Denervaud.