So much of the neo-ceramics movement over the past few years has focused on the medium's graphic aspects — how to slab-build the most intricate geometric shapes, or how to apply the most avant-garde patterning — that it's sometimes easy to forget just how primordial and organic a process creating pottery really is. Ria Leigh, a Seattle-based ceramicist who also works in textiles and painting, somehow makes work that easily straddles the two aesthetics.