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For a Show in the Former Home of a Sculptor, Designers Respond to His Works and Collection

When the British flamenco dancer and sculptor Ron Hitchins died, he left behind a small pink Victorian house in Hackney, London. For their first exhibition, Atelier LK — a newly formed interior design studio helmed by Lisa Jones and Ruby Kean — has taken over the home, leaving intact a curated selection of the artist's work and asking 36 contemporary artists and designers to respond to it.
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The Vintage Furniture Dealer Whose Aesthetic Runs From Bauhaus to Beetlejuice

Gennaro Leone, who runs the vintage furniture shop Spazio Leone in London, is clearly devoted to the cult of '70s and '80s Italian design. But he’s also drawn to pieces that seem to exist in a dream-zone where Art Deco–meets-Postmodernism and Surrealist motifs, along with a hint of Delia Deetz (that's Catherine O’Hara’s sculptor stepmom in Beetlejuice, for anyone who needs a refresher). In the short time that Leone's been up and running, the dealer has developed an aesthetic that could even be described — as he himself puts it — as “WTF is this? I’m trying to find a balance between crazy shapes and comfortable things.
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Lewis Kemmenoe’s Debut Collection Features One Very Of-the-Moment Material

“For as long as I remember I loved just making things,” says London-based designer Lewis Kemmenoe. “My parents told me that when I was eight, I begged them to let me go to art school, right there and then.” He may not have matriculated quite as early as he had hoped, but Kemmenoe eventually enrolled in Central Saint Martins to study Fine Art. Eighteen months ago, he began working on his first collection of furniture, a series of chairs, tables, shelving, and lighting in burl veneer, plywood, and timber — either left in its natural state or stained with linseed to highlight the grain.
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Molecular Biologist By Day, Ceramicist By Night: How Science Informs Abid Javed’s Art

The Hong Kong–born, London-based artist Abid Javed became a ceramicist almost by accident: While studying for his PhD in biochemistry, Javed began searching for a medium he could dabble in to fulfill a desire to make 3D forms inspired by molecules. "I considered glass initially, but it seemed too technical to pursue as a hobby," Javed recalls. "Ceramics felt and became more intuitive." A hobby soon became a full-blown art practice; the resulting series is called Pleomorphs.
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Marco Campardo and the Marta Gallery Founders On Obsessive YouTubing, Failed Projects, and the Importance of Craftsmanship in Design

Considering the Italian designer Marco Campardo’s long friendship with Marta Gallery founders Benjamin Critton and Heidi Korsavong — as well as the trio’s shared interest in a multidisciplinary approach — we decided to go Interview Magazine–style with this Q&A and allow the three room to riff on ideas about collaboration, identity, and digital representation in design.
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Peek Inside a Barbican Apartment Full of Period-Appropriate Furniture

If you're one of those people — ourselves included — who have fantasized about living in one of the 2,000 apartments that make up the Barbican housing estate in London, where Brutalism meets Roman ruins meets exquisite landscape design, we have a treat for you: a look inside the home of interior architect Oskar Kohnen, located inside the estate's 1973 Defoe House.
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Xanthe Somers Wants Us to Question Everything About Our Relationship With Domestic Objects

As a self-taught ceramicist, not knowing the "right" way to do things has led Somers down some experimental paths. Clay has become a medium for her to interrogate concepts beneath its fragile surface. As a contemporary ceramic sculptor, she describes her pieces as a satirical and questioning take on domestic objects. “We cannot treat domestic objects as inert beings; they have place and purpose and motivation,” she says. “Clay has a long history of being used for functional, domestic objects that are laden with political and social constructs."
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James Shaw On Why He Hopes His Design Practice Will One Day Eat Itself

“Daffodils are great,” says British designer James Shaw when I point out the bright yellow bunch sitting behind him in his southeast London workshop during our Zoom call. “They always start off really unpromising as those little green buds, and then they get better and better and they last for ages.” It’s an apt metaphor for Shaw’s own work, which often begins as discarded post-consumer plastic that he turns into slightly trippy organic forms reminiscent of crude cake frosting, created with his self-built plastic extruding gun and sculpted into quotidian objects from toilet paper holders to bowls, candelabras, and chairs.
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While on Lockdown at the Barbican, This Duo Made Brutalist Furniture Out of Moving Boxes and Other Scraps

A Space's new Barbican collection is a series of mirrors, lights, and tables whose name references the famed London housing estate where the studio's founders spent the past year living and making it. Having moved in last May, they conceived the series as an homage to their new surroundings, then sculpted it out of the materials available to them during lockdown, including moving boxes, food containers, and plaster of Paris ordered online.
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Perhaps More People Would Want to Return to the Office If It Looked Like This

There's been copious hand-wringing since the pandemic began about how people have adjusted to working from home, how WFH might actually be preferable to returning to the office, and what it all means. We would venture to guess that more people would be willing to return to their offices if they looked like this, a new London interior by Note Design Studio for The Office Group.
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Designer Mac Collins Mines His Family History To Imagine Brighter Black Futures

Mac Collins's Iklwa series debuted at London Craft Week this month, produced by legacy manufacturer Benchmark. Comprising two lounge chairs — one large and one small — and a side table, the collection is named for a style of short spear used by the Zulu, the chair featuring armrests that echo its shape. It's a compelling introduction to the 25-year-old's distinct yet disruptive approach, informed by his Jamaican heritage as well as his background in art and sculpture.
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We Want to Live Inside This Editorial On Conscious Consumerism

As our planet hurtles towards climate oblivion, it seems like literally the least we can do is engage in conscious consumerism. And this editorial — published last month in Elle Decoration UK and conceived collaboratively between London-based photographer Kristy Noble and stylist Katie Phillips — makes a pretty excellent case for it.
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