This New LA Music HQ Mixes Warm Woods and Cool Metals Like Nothing We’ve Seen

Normally we would say that an office doesn't have any business looking this good. But Ceremony of Roses — whose new offices were designed by Dean Levin of the LA studio 22RE in collaboration with Madeline Denley of Never Far Studios — is the merch and branding arm of Sony Music, and as such has a constant stream of global talents coming through, from Adele to Olivia Rodrigo (whose merch, we would argue, is impeccable.) The office is housed in a former 1950s factory in Culver City, and it bears several signatures we've come to associate with Levin's up-and-coming studio: a 1970s-influenced aesthetic that preferences elements like wall-to-wall carpeting in lush tones, beautifully monolithic metal expanses, and hits of coolly minimalist vintage furniture.
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The Latest Interior We’re Coveting is… a Film Production Office?

We've been thinking a lot lately about the flattening of visual culture and what gets lost when everything looks the same. In design, this is most prevalent in furniture and small goods like ceramics, but we have begun to notice a crushing sameness in interiors as well, with each new office or co-working space aspiring to look like the ground floor of a Brooklyn brownstone or a Parisian flat. Which is why we thought it might be useful to analyze the latest project by New York–based studio Civilian, which, despite featuring many pieces that I'd like to have in my own home, somehow avoids these pitfalls and still firmly reads "office." The space is a multifunctional home base for a documentary production company called Sandbox Films, and what we actually love about this project is how it walks right up to the line between public and private space without crossing it. Let's go over the building blocks.
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No, You’re Not Imagining It — These Three Vintage Lamps Are Suddenly Everywhere

In design circles, there are a few things that might be considered "Instagram famous" — certain plants, to be sure; Luis Barragán interiors; Ricardo Bofill exteriors; the Atelier Brancusi replica at the Centre Pompidou; anthuriums. But in recent months, we've noticed three lamps popping up with such frequency that they might also be ascribed that title. Each lamp is vintage, but perhaps the more crucial thing they have in common is that each represents a trend currently winging its way through the design world.
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