Last Month’s Parisian Design Fairs Made Us Feel Open-Hearted and Optimistic About the Future of Design

Paris has been host to a lot of action over the last few months: Fashion Week, the World Rugby Cup, and a certain creepy crawly who shall not be named among them. During the second and third weeks of October, however, a flurry of design people — our people — popped into town for a fair circuit punctuated by the inaugural Paris edition from Design Miami/ as well as Paris+ par Art Basel and two exciting new kids on the block: CONTRIBUTIONS and THEMA.
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Each Piece in Kim Mupangilai’s Debut Furniture Collection is a Meditation on Cross-Cultural Identity

Each of the pieces in Kim Mupangilaï’s debut furniture collection, on view in a solo exhibition called HUE/I/AM – HUE/AM/I through August 20 at Superhouse Vitrine, is comprised of numerous, sometimes unexpected aspects that all cohere. Without being heavy-handed, and as the name of the show implies, the collection embodies the ways we might understand and conceive of our own identities.
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Meet the 1980s-Era Designer Whose Chair Went Semi-Viral During the Pandemic

The impulse to reassess design from the late '70s and '80s — and to place it in a current context — has clearly been in the air, most notably at last year’s Return to Downtown group show from Superhouse and Magen H Gallery and at the more recent Blurring the Timeline show, also at Superhouse. Standout pieces from both exhibitions included chairs by a designer whose name you might not be familiar with: Howard Meister, part of the core group of designer-artists at Art et Industrie, a now-legendary New York gallery that opened in 1977 and closed in the late '90s. Here, we caught up with Meister from his home in Western Massachusetts. In a roving, entertaining interview, he shared with us how he got his largely accidental start and went from being “a dope in a suit” to an artist, his belief in the importance of craft and his desire not to be “survived by crap."
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