The Designer Making Chairs From Discarded Puffy Coats

If you're like me — and by that I mean you spent a very cold, COVID-filled winter socializing outside — you might be ready to never see a padded puffy coat again. But I was thoroughly charmed by the work of South Korean designer Jinyeong Yeon, who uses padded goose down jackets, which remained unsold by fashion brands and manufacturers, as upholstery for his series of puffy chairs.

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09.04.20

Eye Candy

We Want to Live Inside This Editorial On Conscious Consumerism

As our planet hurtles towards climate oblivion, it seems like literally the least we can do is engage in conscious consumerism. And this editorial — published last month in Elle Decoration UK and conceived collaboratively between London-based photographer Kristy Noble and stylist Katie Phillips — makes a pretty excellent case for it.

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09.16.13

At Home With

Erin Considine, textile and jewelry designer

Midway through our visit to Erin Considine’s Greenpoint, Brooklyn apartment earlier this summer, we began talking about her parents, who — no surprise here — are interior designers. She told us a story about her father being on a job site in Connecticut in the 1980s, where a company was giving away all of its Knoll furniture. A set of Mies van der Rohe Brno chairs here, a Saarinen Tulip table there — these are sorts the things the Brooklyn jewelry designer grew up with. When my jaw dropped, she shrugged. “It’s just being in the right place at the right time,” she says.

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05.02.11

Up and Coming

Brunno Jahara, Product Designer

If you think about it in the context of design, Brazil is a lot like America: A vast, relatively young country with a tiny cadre of contemporary designers struggling both to step out of the long shadow of their mid-century forebears, and to create objects in a near-industrial vacuum. But you won’t hear Brazilian designer Brunno Jahara complaining — having lived in dozens of European countries, worked under Jaime Hayon at Fabrica, and run a freelance business from Amsterdam before moving back to São Paulo a few years ago, he credits his native country as being the catalyst for his newfound success. “In Brazil I have all the freedom I didn’t have in Europe, because there’s a whole historical background over there that holds you to making things in a certain way,” says the 32-year-old.

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