This Prefab Bubble House in the French Countryside is Giving Elevated Airplane Interior

Inspired by natural forms — eggs, fruits, air bubbles — Jean-Benjamin Maneval’s design for Maison Belle omits any straight lines. The same went for the interiors, spearheaded by creative studio KIF and Dorothée Meilichzon of CHZON. Working within the curved shells was complicated and everything had to be made completely bespoke, made to measure inch by inch. The design is a tribute to the late ’60s when Maneval bubble houses were produced. “It’s an era of boldness and fun,” says Meilichzon. “Lush carpets, patterns, organic shapes, bold colors.” 
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Ceramic Fireplaces and Leather Doors: Inside the Paris Atelier and Home of Valentine Schlegel

Once a forgotten name in French post-war decorative arts, the late ceramicist Valentine Schlegel came roaring back to prominence in the contemporary design and art world a few years back, becoming a muse to the likes of Simone Bodmer-Turner, Rogan Gregory, and others who appreciated her sculpted organic forms. And yet in spite of — or more likely because of — her resurgence, her longtime Paris apartment and studio was recently emptied out entirely and sold at auction. Adam Stech was lucky enough to photograph it before that happened.
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See Inside Maniera Gallery’s New Home, a Belgian Art Deco Masterpiece

When Belgian design gallery Maniera first opened nearly a decade ago, the works were located inside the loftlike apartment of Maniera's founders, Amaryllis Jacobs and Kwinten Lavigne. The gallery has gone through many incarnations since then — including once popping up in a famed Brutalist house in Ghent — until this spring, when it moved into its new permanent digs: the Hôtel Danckaert, also known as Villa Dewin, a landmarked Art Deco building in Brussels designed in 1922 by architect Jean-Baptiste Dewin. Maniera’s first exhibition in the space, which opened last month, features 15 new designs by artists and architects, all of which were created to respond to the gallery's imposing setting. 
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The Colorful Vintage Design Book We Return to Again and Again for Inspiration

We know objectively that the start of the year is generally a time of renewal and a time to birth new projects. But to be honest, this is often the time of year when we feel most low and uninspired, which may be why we often turn to books in our own libraries for energy. I often come back to Interiors in Color, a 1983 book translated from Italian that features interiors by many of that era's best-known players.
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Esprit’s Brand Books

There are some books that are quoted, referenced, or photographed so often in our line of work that they begin to feel like touchstones for design-world enthusiasts all over the world. The Nathalie du Pasquier–illustrated Leonard Koren bible Arranging Things: A Rhetoric of Object Placement is of those such books; the late-'90s graphic-design manifesto Tibor Kalman: Perverse Optimist is another. But recently, another book has begun popping up no matter where we look. Esprit: The Comprehensive Design Principle — a huge, softcover paean to every design aspect of the beloved 1980s fashion brand — was published in 1989 by its founder Douglas Tompkins, but has experienced a resurgence of late in these '80s nostalgia–tinged, Memphis revival–happy times.
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Down the Long Driveway, You’ll See It

There's nothing we love better than when our very talented, creative friends introduce us to their very talented, creative friends, and this week didn't disappoint: In our inboxes arrived the most beautiful submission from Mary Gaudin, a New Zealand photographer living in Montpellier, France, who was introduced to us through Brian Ferry, one of Sight Unseen's contributors and a wonderful photographer in his own right. Gaudin recently published a book on modernist New Zealand homes in collaboration Matthew Arnold of Sons & Co called Down the Long Driveway, You'll See It; the title is a quote from one of the book's subjects, upon giving directions to his home. The book documents 14 homes built between 1950 and 1974, and it's a revelation not only for the beautiful way in which it's photographed but for the peek it gives into New Zealand's architectural history.
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