Another beautiful custom machine. Mykita’s proprietary process has one big upside, among others, for consumers: no gaudy logos on its frames. “Our logo is our technique,” says Thamm. “You can easily recognize Mykita frames by their shapes, which is because of our techniques. Our hinge is our basic signature.”

Mykita’s Berlin Headquarters

Just a few blocks from the three-story factory where Mykita eyeglasses are designed, prototyped, and assembled by hand by a team of skilled workers, there’s a world-renowned contemporary art museum currently showing works inspired by Joseph Beuys’s vision of the future. There’s a new bar where fancy hipsters go to sip $15 Moscow mules, and more than a few new “luxury” condo buildings, which have begun sprouting like weeds in the area in the past five years. That’s about when Mykita moved its headquarters to their current location in the middle of Berlin’s Mitte neighborhood, which is basically the New York equivalent of setting up shop in Soho. It doesn’t actually manufacture from scratch there the metal and acrylic frames that are its signature — the parts are sent up in flat batches from South Germany — but it does just about everything else that’s required to construct and ship out between 600 and 1,000 pairs of glasses per day to the likes of Colette and Opening Ceremony. “It’s a business philosophy for Mykita that everything is under one roof,” says Lisa Thamm, head of Mykita PR, who gave us a tour of the factory this past June. “It’s actually easier that way, especially when your graphics team, your designers, everybody is really into detail.”

Being detail-oriented is also the main requirement, of course, for the workers that bike to Mykita each day to fold hinges and attach nose pads and bend frames to the precise angle to fit your face. But it appears to be pretty much the only one; some of the folks on staff are trained optometrists or specialists who know how to cut a Zeiss lens on a lens-cutting machine, but the rest come from fields as diverse as jewelry-making or ceramics. “They all have the common, defining element that they’re very good with working with their hands,” says Thamm. “They do get in-house training, and then it’s a bit of a learning-by-doing process.” We followed that process from start to finish this summer, documenting it for the slideshow at right before heading back out into the blissful buzz of a sunny Berlin afternoon.