A couple before they were partners in design, Nick Cope and Rachel Mosler founded Calico Wallpaper together two years ago in the wake of Hurricane Sandy. Mosler was an art therapist on paid leave from NYU’s temporarily shuttered hospital; Cope ran a design/build firm whose projects had all been put on hold. “We’d always wanted to do a project that touched on both of our backgrounds — something for the home that had an art-like quality,” says Cope. “Rachel studied sculpture at RISD and has a Master’s in art therapy, and I went to NYU for photo and digital design.” On a lazy afternoon in the East Village, Cope found an image of obscure types of paper marbling in an antique shop and brought it home. Mosler loved it and immediately began delving into the history and process of the ancient technique. “We realized quickly we had something interesting on our hands,” says Cope.
That’s something of an understatement. Calico’s delicate, shimmery organic wallpapers feel like nothing you’ve ever seen before, because in truth you haven’t. For Calico’s original edition, Cope and Mosler worked with a paper art center in New York called Dieu Donné to create a limited set of 100 percent cotton fiber papers that measured 40×60 inches — some of the largest marbled paintings that have ever existed. In Cope’s hands those turn into a large-scale graphics for interior applications — massive, moody unrepeated papers whose patterns seem to tumble gorgeously across the wall.
When we heard Cope and Mosler had been selected for a residency program at Villa Lena — a centuries’ old villa nestled in the hills of Tuscany, where they’d have a week to refine and explore their paper marbling process — we knew we had to get them to document their journey. See their trip and learn more about the process in the slideshow at right, then visit the duo at ICFF and Sight Unseen OFFSITE to view the new collection and the next chapter in their story.
The sense that anyone can attempt these 26 DIYs — which include tie-dying with Shabd Simon-Alexander, jewelry-making with Jennifer Sarkilahti of Odette, and marbling with Ilana Kohn — comes in part from the incredibly detailed, step-by-step photographs, which were taken during the course of a weeklong shoot last fall at the Textile Arts Center in Brooklyn by Maria Alexandra Vettese and Stephanie Congdon Barnes, of the photography site 3191 Miles Apart, who also shot the film photographs documenting the day-by-day of the shoot, which we're sharing here today,
You know those Instagram feeds where it seems like the person is always off on some fantastic holiday in a remote locale? In our feed, that person is Shanan Campanaro, the multitalented artist and designer behind Eskayel. The San Diego native calls Brooklyn home, but in the past year, she's been to Bali, Belize, Nicaragua, Vail... the list goes on. But in Campanaro's case, all that travel isn't necessarily just for fun — it provides inspiration as well for the watercolors that will eventually become bleached, beautiful patterns for her wallpapers and fabrics. Eskayel's newest collection, which we're featuring today, is called “Jangala” which means jungle in Sanskrit. The new collection is a bit of a departure from her signature aesthetic, in that some of the colorways are more highly saturated than in the past, but the effect is the same. We love these styled shots Campanaro shared with us, with their overflowing greenery and little totems picked up on travel — not to mention their cute product loans from Rich Brilliant Willing! See more of our favorites after the jum, and then go to Eskayel's site to view the full collection.
Long ago, wallpaper was reserved for royalty — a handcrafted thing made with high artistry and hung with equally high aspirations. But since then, with a few very recent notable exceptions, it's become the ambitionless cop-out of modern-day interior design, a failure blamed on wimpy printing techniques but which probably has to do more with a lack of imagination. Among those getting it right is the Athens-based design collective 39.22., which draws both its name and its stable of talent from its own geographical coordinates.