A Young, Milan-Based Designer Inspired by the Brutalist Architecture of Eastern Europe

There are two distinct threads that run through the work of Milan-based, Macedonia-born designer Daniel Nikolovski. The first is a penchant for storytelling. His objects and furniture all seem to point to an obscure reference or emerge from a well-thought-out backstory; the forms that make up his EYE Lamps, for example, were inspired by Yugoslavian monuments, like the Brutalist buildings Kenzo Tange constructed in Nikolovski’s hometown of Skopje following an earthquake that decimated the city in 1963. The other major tenet of his work is craftsmanship, which is actually the reason he ended up in Italy at all.
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While on Lockdown at the Barbican, This Duo Made Brutalist Furniture Out of Moving Boxes and Other Scraps

A Space's new Barbican collection is a series of mirrors, lights, and tables whose name references the famed London housing estate where the studio's founders spent the past year living and making it. Having moved in last May, they conceived the series as an homage to their new surroundings, then sculpted it out of the materials available to them during lockdown, including moving boxes, food containers, and plaster of Paris ordered online.
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A New Jose Dávila Exhibition in A Stunning Brutalist Church

If you've ever visited König Galerie in Berlin, which is housed in a renovated 1967 Brutalist church with a skylit concrete nave, you'll know that there are only a few places in the world to experience contemporary art in such a breathtaking setting. There are also only a few artists whose work would be quite so at home in that nave as Jose Dávila, the Mexican sculptor who trained as an architect and is known for his focus on space, balance, and proportion.
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Brutalist Ceramics Inspired By the Pacific Northwest’s Most Famous Volcanic Explosion

LGS Studio, a ceramics brand founded by Thomas Renaud and Noel Hennessy, is currently based out of Los Angeles. But the company actually got its start a few years back in a garage in Portland, Oregon, where the founders were living at the time. Which is what makes their latest collection all the more personal — called Tephra, it's inspired by growing up in the Pacific Northwest in the aftermath of the 1980 Mount St. Helens volcanic eruption.
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Brutalist-inspire ikebana vases by Studio Testo

These Brutalist-Inspired Vases Will Up Your Ikebana Game

Last time we featured Studio Testo, we noted Giulia Dolci and Giulia Fauro Alessi’s uncanny ability to make pieces that are on-trend and effortlessly cool. So it comes as no surprise that their latest collection of sculptural vases has a similarly refreshing vibe, taking cues from Brutalist architecture and adding in some ikebana by Irene Cuzzaniti and fresh textiles by AH/OK.
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Bauhaus-inspired housewares by Orphan Work

Brutalist- and Bauhaus-Inspired Housewares and Lighting From the Duo Behind Material Lust

Christian Swafford and Lauren Larson, the creative couple behind Material Lust, introduced their sister brand Orphan Work humbly enough, with a soft launch last year that had us wondering what, exactly, the brand even was. But since its debut, the label has evolved beyond its origins as “an exploration of orphaned material” and developed into a full-fledged brand: lighting, accessories, and what they call “monuments for your tabletop,” inspired at turns by Bauhaus and Brutalism, but mainly by the Vienna Secession.
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A Breathtaking Furniture Installation Staged Inside a Famed Brutalist House

When we named Jonathan Muecke to our American Design Hot list in 2014, the enigmatic Minnesota architect summed up his motivations with a 1963 George Brecht quote about seeking precision in objects — the same kind of precision, presumably, that he saw in the starkly angular 1974 Van Wassenhove House by Belgian architect Juliaan Lampens, where he recently spent a week making a new body of work for Maniera gallery.
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10 Projects We Loved at the 2024 Collectible Fair in Brussels

The biggest news to come out of this month's Collectible fair, now in its seventh year, wasn't about a ground-breaking gallery or a new designer at all but rather the fact that the Brussels-based fair — much beloved in the design community for its rigorous curation and its commitment to highlighting emerging designers in the collectible field — will be debuting a show in New York this fall. From September 4-10, the inaugural US edition will take place inside the enigmatic WSA building in New York's financial district; it follows this year's successful westward expansion of Alcova into Miami. What can we say, we Americans love to shop! If you're the collecting kind, consider our round-up of the most interesting projects to come out of this year's Collectible fair in Brussels a preview of what's to come.
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Architectural and Archetypal, Kalon Pieces Are Defined By Their Thoughtful Details   

Since 2007, Michaele Simmering and Johannes Pauwen have been producing work that is as poetic as it is practical through their Los Angeles studio, Kalon. The studio borrows its name from an Ancient Greek concept of ideal beauty that comprises both physical and moral aspects. It’s a high bar to set. In their practice, Simmering and Pauwen take a principled approach that seriously considers the environmental and social impact of what they do; “sustainability” has become an overused word, but for Kalon, it’s a true ethos, guiding not only their production process — in terms of the materials and labor involved ­— but also how their designs exist in the world. To celebrate Kalon joining the Sight Unseen Collection, we checked in to get a sense of what’s changed — and what hasn’t — since we last touched base.
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Week of February 5, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: The latest releases by Portugal duo Garcé + Dimofski (pictured), a furniture collection made from the unused "crusts" of industrial aluminum blocks, and two interiors with an impeccable use of color-blocking.
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How Do You Make a Home Inside a Monument? Ask the Gachots, Who Just Spent Three Years Living in a Paul Rudolph Masterpiece

In 1976, the architect Paul Rudolph bought the 19th-century townhouse at 23 Beekman Place where he’d had an apartment since the early '60s. While keeping the existing building as residences, he constructed his now-landmarked, multi-level penthouse on top of it: a steel and cement work of art that is rigorous and spare in its lines yet dizzying in its scope and form. Inside, beams clad in reflective material support a light-filled space with few walls, delineated by platforms and catwalks and cantilevered, landscaped terraces with spectacular views out over FDR Drive and the East River. For Rudolph, it was a kind of creative laboratory — and it’s also not hard to imagine it as a site for glamorous, louche, late disco-era parties. But how about a family home? Enter designers John and Christine Gachot, of New York’s Gachot, known for the warm modernism they bring to their high-end interiors.
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Week of December 4, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Pierre Yovanovitch’s chic new Chelsea gallery, lamps that look like melted butter, and the work from home setup of our dreams.
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