Week of October 9, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Two new design-led bakeries — aka Modernist paeans to carbs — an expansive ceramic furniture exhibition by Cody Hoyt, and a new, modular furniture collection inspired by the book Soviet Bus Stops of Georgia.
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Beata Heuman Made Her Name Designing Colorfully Maximalist Interiors. Now She’s Bringing That Same Aesthetic to a Chic Parisian Hotel.

The Swedish-born, London-based designer Beata Heuman is known for bringing character and charm to her interiors. And she does just that with her first hotel project: Hôtel de la Boétie, which opened in September, the sixth Parisian space from design-forward French hotel group Touriste. For this collaboration, Heuman and her studio worked with the 19th-century architecture of the building — located in rue de la Boétie in the eighth arrondissement, not too far from the Champs-Élysées — and incorporated existing elements such as the marble entrance, elevator, and staircase of the 40-room property. Keeping the design relatively simple, using a limited palette, natural woods, and stainless steel and brass, Heuman has created the kind of heightened atmosphere you can have in spaces that are meant to be traveled through and not necessarily lived in all the time. “We can treat it a bit like a stage set, which is not the approach I would take when it comes to someone’s home,” says Heuman.
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Each Rug in the Latest Collection from Cc-Tapis Looks Like a Portal to Somewhere Else

Made of hand-knotted Himalayan wool at the cc-tapis atelier in Nepal, the Memento collection by Yabu Pushelberg features a trio of undyed, tone-on-tone variations in off-kilter geometries. There are arches that could be doorways; squares, trapezoids, and circles that could be windows; portals to somewhere else. Or not. These designs are not so much figurative as suggestive. Like a fleeting memory that takes you out of the present but can’t exactly put you in the past.
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15 Projects We Loved From September’s Design Fairs in London and Paris

It could be the time of year that gives the London Design Festival and Maison & Objet in Paris a kind of in-between feel. Summer still lingers in places, and a moody, autumnal atmosphere takes over in others — although this could also be attributed to the essential nature of each city's design scene as well. As usual, there was plenty to see, though we also wondered if there was some amount of holding out for what may end up the true statement moment of the fall design calendar: October's inaugural edition of Design Miami/Paris. What struck us this year (from afar, sigh) wasn’t so much a few noticeable trends as an emphasis on collaboration — aesthetics may be fragmented, but our connection to each other is stronger than ever.
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Need a Cheat Sheet to the Current Norwegian Design Scene? Take Notes

For this year’s Unika Auction, the third iteration of the contemporary Norwegian design showcase, FOLD Oslo invited 30 designers, from up-and-comers to established Norwegian names, to create new pieces. (Unika means unique in Norwegian). "Choosing designers to be part of this Unika exhibition was challenging, but also very exciting, as the Norwegian design scene has exploded with talented designers, craftspeople, and artists in recent years,” says FOLD member Anna Maria Øfstedal Eng. There are a wealth of materials here, which both represent and spring from longstanding Norwegian craft traditions in textiles, woodworking, glass, and aluminum. What connects it all for Øfstedal Eng, aside from geographic provenance, is a shared approach: a combination of preservation and innovation that leads to enduring work.
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Week of September 18, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Wentrcek/Zebulon imagine a "dys-taupian" future in LA, Tekla Evelina Severin creates the cushiest two-pile rugs for Ogeborg, and Gas Aulenti's iconic Pipistrello lamp gets sheathed in the sunniest yellow.
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This Chicago Showroom is an Under-the-Radar Gem for Sourcing High-End Vintage Furniture Finds

The collection of furniture, objects, and art at Beth Berke’s Chicago vintage furniture emporium South Loop Loft is both wonderfully eclectic and satisfyingly cohesive. While Berke is often drawn to iconic classics by recognizable names, she’s developed a keen eye for the unusual, too, which in a way reflects her curious path to the design world. Berke began as an aid worker in Afghanistan and then a social worker in Chicago, helping women and children in crisis; $30,000 sofas were not exactly top of mind. But a stint in San Francisco “on a social worker's budget,” she says, led her to estate sales and Craigslist, as well as a burgeoning passion for vintage furniture.
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Farrah Sit’s Work — Including Her Best-Selling Serpentine Sconce — Feels Both Effortlessly Current and Like a Prehistoric Artifact

Equilibrium and harmony: They’re difficult to achieve in life and maybe only slightly easier in design. But the search for balance, especially a desire for balance with nature, has lately been driving New York designer Farrah Sit — in a stylistic sense, but also in the way she produces the lighting and furniture for her eponymous line. Sit makes pieces that embody substantial and even existential concerns but wear their heaviness lightly; they’d look really great in your living room but they’re also meant to do more than that. “Part of what we’re trying to do as designers,” she says, “is create awareness between you and your environment.” Her aesthetic has largely hewn to neutral colors and natural materials and a dedication to elegant, mysterious forms ­— like Sit's best-selling Serpentine sconce, which debuted as part of Sight Unseen Offsite in 2020 and is now part of the Sight Unseen Collection. A ceramic wall sconce, Serpentine seems both effortlessly current and like an unearthed artifact — a relatively simple form that wordlessly conveys a whole world of feeling.
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A New Design Hotel in Porto for Everyone Going to Portugal Right Now

Situated on the Douro river, The Rebello hotel in Porto features 103 rooms, a full-service restaurant, two bars, and a luxurious yet unfussy spa. But it’s the design, of course, that we’re most taken with. Outside, local architecture firm Metrourbe transformed a disused, 19th-century factory for kitchen utensils into four thoroughly modernized yet character-rich buildings, two of which were newly constructed to connect the original stone structures. Inside, Spanish designer and founder of Lisbon’s Quiet Studios Daniela Francheschini has woven together four central elements that reference Porto: water, wine, wood, and industry.
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Objects & Ideas Are Making Sculptural, Relational Objects in the Canadian Wilderness

Since we last checked in with Di Tao and Bob Dodd of Toronto’s Objects & Ideas, their furniture designs have moved increasingly towards functional sculpture. “We’ve always thought that every piece we make needs to have a strong character and a strong expression — that has never changed. But the way we express our ideas has evolved,” says Tao. The latest pieces are visually alluring objects that have a use, of course: The enveloping Beaver Tail chair offers a seat, the curving Ascend floor lamp provides illumination. But these works also — and just as importantly — are relational, changing the space that they, and you, occupy.
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Each Piece in Kim Mupangilai’s Debut Furniture Collection is a Meditation on Cross-Cultural Identity

Each of the pieces in Kim Mupangilaï’s debut furniture collection, on view in a solo exhibition called HUE/I/AM – HUE/AM/I through August 20 at Superhouse Vitrine, is comprised of numerous, sometimes unexpected aspects that all cohere. Without being heavy-handed, and as the name of the show implies, the collection embodies the ways we might understand and conceive of our own identities.
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