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09.06.23

Sight Unseen Collection

Objects & Ideas Are Making Sculptural, Relational Objects in the Canadian Wilderness

Since we last checked in with Di Tao and Bob Dodd of Toronto’s Objects & Ideas, their furniture designs have moved increasingly towards functional sculpture. “We’ve always thought that every piece we make needs to have a strong character and a strong expression — that has never changed. But the way we express our ideas has evolved,” says Tao. The latest pieces are visually alluring objects that have a use, of course: The enveloping Beaver Tail chair offers a seat, the curving Ascend floor lamp provides illumination. But these works also — and just as importantly — are relational, changing the space that they, and you, occupy.
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08.01.23

Excerpt: Exhibition

Each Piece in Kim Mupangilai’s Debut Furniture Collection is a Meditation on Cross-Cultural Identity

Each of the pieces in Kim Mupangilaï’s debut furniture collection, on view in a solo exhibition called HUE/I/AM – HUE/AM/I through August 20 at Superhouse Vitrine, is comprised of numerous, sometimes unexpected aspects that all cohere. Without being heavy-handed, and as the name of the show implies, the collection embodies the ways we might understand and conceive of our own identities.
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07.22.23

Saturday Selects

Week of July 17, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a Finnish candy–inspired handbag from Marimekko, a secret garden–inspired glassware collection by Sophie Lou Jacobsen, and a Paris apartment whose palette was inspired by a Tracey Emin painting.
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07.11.23

Up and Coming

Bowen Liu Was Up to the Challenge of Making Furniture in Cast Glass

Without being towering, there’s a heft and monumentality to the cast glass Helle collection by New York designer Bowen Liu. The presence of these pieces is anchoring, a solidity that’s offset by their translucency. Made by glass workers in Brooklyn, the collection includes bookends, a coffee table, floor lamp, mirror, and side table, which debuted at New York Design Week in May. While the mirror and lamp feature white oak details, the coffee and side tables and bookends are made entirely of glass. If you don’t see a lot of cast glass furniture at scale, it's because it demands expertise, skill, and time to produce. But Liu was up for the challenge.
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06.24.23

Saturday Selects

Week of June 19, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: 12 designers reinterpret the classic piggy bank, Martino Gamper floods a New York gallery with 700 hooks and vases, and a South African designer interprets 1920s glamour through the lens of a classic TV period drama (above).
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06.14.23

Excerpt: Exhibition

A Controversial Seinfeld Character Inspired One of Ethan Cook’s New Paintings

The depth of color in Ethan Cook’s work is entrancing: It draws you in and then proceeds to work its spell, stirring up meaning and feeling. Cook is known for his abstract “woven paintings” in which color isn’t applied at all but is part of the canvas itself. He uses a four-harness loom to hand weave fabric, which is then stitched together and stretched on bars. But recently, Cook has been exploring additional materials and techniques, evident in his latest exhibition Entities, at the Brussels location of Nino Mier.
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06.05.23

Excerpt: Exhibition

Sarah Burns’s Collection for Marta is Dreamy But Humble — In Other Words, a Little Midwestern

As a designer, New York–based Sarah Burns has a remarkable fluidity when it comes to scale. She can go small and intricate, like the jewelry she creates as co-owner of the Chinatown shop Old Jewelry. But she’s also adept at working with larger, place-defining forms, as with the furniture collection in her first solo show, Prairie’s Edge, now running at Marta in LA through June 10.
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05.30.23

Up and Coming

Caroline Chao Uses Glass, Mirror, Lucite, and Light Itself to Create Optical Illusions in Her Furniture Debut

The nature of furniture is participatory — chairs invite us to sit, tables to gather round — but this holds especially true for the work of New York–based designer Caroline Chao. Her pieces engage our powers of interaction and perception — perhaps because in addition to the glass and Lucite she uses, light itself is a kind of material for her. We recently spoke with her about interiors vs furniture, how to re-contextualize ordinary materials, and her work towards changing the concept of a “good view.”
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05.27.23

Saturday Selects

Week of May 22, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: The newest, coziest addition to Bower's Melt collection, new housewares from a beloved shoe brand, and the first furniture line from one of our favorite London interior designers.
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05.19.23

Sight Unseen Collection

Ben Willett Joins the Sight Unseen Collection With Warm Wood Furniture That Channels 1970s and 80s Europe

You could say that moving into furniture design was something of a pandemic project for Ben Willett. At the start of the shutdown, he and his wife, chef and cookbook author Molly Baz, were on vacation in California and decided to stay there, eventually making a permanent move from a 700-square-foot New York City apartment to a house on the far east side of Los Angeles. With space came the need to fill it, along with a new West Coast perspective; the result is a collection still in the works but previewed in the images here, with pieces like the WS-Shorty credenza, a beauty in Douglas fir that debuted last night at our Sight Unseen Collection show in New York.
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