Announcing the 2025 American Design Hot List

Welcome to the 13th annual American Design Hot List, Sight Unseen’s unapologetically subjective award for the names to know now in American design. Founded in 2013, the ADHL serves as a guide to the US (born or based) talents influencing the design landscape in any given year, whether through standout launches, must-see exhibitions, or just our innate sense that they’re ones to watch. Considering we’ve recently changed almost everything else about the way we present Sight Unseen to the world, we decided to do things a little differently this year.
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Enter our $12K furniture and lighting giveaway, tour a vintage-filled NYC home, and more

The Sight Unseen Collection has teamed up with Audo, In Common With, and Known Work to offer our readers the chance to win what we’re calling a cozy corner — a chair, ottoman, side table, and lamp that will create the perfect nook for curling up in this winter to read a book, watch old movies, have a drink, or otherwise unwind. PLUS: A new craft prize, a vintage-filled home, and more.
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This Red Hook Studio and Woodshop is Redefining What a Design Community Can Look Like

When I first got wind of Piscina, the shared workshop and showroom run by designer Natalie Shook out of a 20,000-square-foot space in Red Hook, Brooklyn, my first thought was of other similar, collective design spaces we've known and loved over the years, Okay Studio and Atelierdorp among them. But after spending the better part of a day at the Piscina space this fall and chatting with both Shook and the other designers who work there — including Luke Malaney, Jenna Graziano, Charles Grantham, Ford Bostwick, Chuck VanDyck, and Giovanni Valdeavellano of Studio POA, who has since moved his studio upstate — a clearer picture emerged of how different Piscina is from its predecessors.
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Two New Sight Unseen–Approved Hotels Are As Much Living Rooms For Locals As They Are Destinations for Design-Seeking Travelers

When the Ace Hotel opened in Manhattan in 2009, it established a blueprint for the idea of a hotel lobby as a living room for the city. With its Stumptown Coffee, Opening Ceremony outpost, April Bloomfield-helmed restaurant, rows of laptop-friendly desks (in an era before WeWork, no less), vintage-inspired photo booth, and a bustling events calendar, the Ace was as much a hangout for locals as it was a haven for travelers. Ace continued to imprint this model as it opened in cities around the world, and other hotels soon followed suit. As this mode of hospitality became the norm over the past decade and a half, though, it's gotten harder for new hotels to stand out, which is why design has become such an important distinguishing factor. But as I found in my travels over the last six months, there are a few properties who are really doing things right — who have taken the idea of the hotel as living room, tweaking it through both expansion and refinement, to something resembling perfect: the Stockholm Stadshotell and the Ace Hotel Kyoto.
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This Bower x Emily Mullin Showcase Was the Unexpectedly Tough — and Perfect — Exhibition New York Design Week Needed

Here is a list of things I do not particularly like: surfaces designed to look as if they were tattooed, ceramics bound by chains or ropes, almost anything with spikes. Part of the reason I don't like these things is that, as a child of the '90s, they often feel a little poser-y to me — like the designer thought that by using the signifiers of toughness that they could take a shortcut to actually being that thing. But you know what I do like? When designers use materials or processes that are often associated with something hard or edgy in an unexpected or weird or superfluous way. This includes Bower's new Woven collection of mirrors — which weave thin strips of leather through a grid of mirror-polished stainless steel, a kind of Anni Albers for the post-punk era — and Emily Mullin's raku-fired ceramics, which get their signature look from combusting in a blaze of smoke and straw.
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