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04.18.22

Excerpt: Exhibition

Classic New Yorker Covers Influenced Atelier Jouffre’s New NYC Showroom

Who among us isn’t captivated by the depictions of daily life that grace the covers of The New Yorker every week? The ones by late illustrator Pierre Le Tan, however — who drew many a domestic scene for the magazine — were in fact the muse for a new NYC showroom for French upholsterers Atelier Jouffre. Designers Olivier and Clio Garcé — who recently moved from the city to Lisbon, where they set up their own studio, Garcé & Dimofski — transformed the industrial building in Long Island City into a space where artworks and design pieces are intended to “emerge from an illustrated dreamscape.”
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04.11.22

Excerpt: Exhibition

A New Show Highlights the Appealingly Messy Side of Contemporary Ceramics

Closing in Barcelona this week is an exhibition that celebrates some of the bigger trends in contemporary ceramics these days — namely bright, drippy glazes; lumpy, organic forms; and raw, tactile, fissured surfaces. Presented by Side Gallery, “Exposed Material” is an overview of work by four artists who span several generations and hail from places ranging from America to Auckland, New Zealand.
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04.01.22

Excerpt: Exhibition

In His First Gallery Show, Ryan Preciado Combines His Love of Wood, the 80s, and High-Gloss Finishes

L.A. designer Ryan Preciado traffics heavily in nostalgia, particularly for his own Cali upbringing: "When I was a kid, my grandpa would give me five bucks to buff and polish his cars; I bet that’s why I’m attracted to the glossy finish," he told us back in 2019. He also cited his grandmother's garden chairs, and his uncle's car-show habit, as formative design influences. All of those influences were on display in his first gallery show, A Cliff to Climb, at Canada gallery in New York earlier this month — including via a new, ultra-polished green cabinet that he created at his friend’s autobody shop. 
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03.30.22

Excerpt: Exhibition

Nathalie du Pasquier is So Much More Than the Poster Girl for Memphis Design

When a return to Memphis became the defining design trend back in 2014, a few of the movement's original members flew to the forefront of discourse once again, among them Peter Shire, Ettore Sottsass, and Nathalie du Pasquier, whose exuberant patterning became a kind of shorthand for cool around that time. (If you came home from Milan in 2014 without an NDP Wrong for Hay tote bag, were you even there?) But while Du Pasquier became pigeon-holed for that kind of blocky, frazzled look (remember when she designed for American Apparel?!), she's always been so much more than that, and the full fruits of her output as an artist are on view this month at an exhibition called "Speed Limit" at Anton Kern Gallery in New York.
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03.28.22

Excerpt: Exhibition

These Fashion Designers Made Their Name Reinventing the Uniform. Now They’ve Turned Their Eye to Furniture

One of the more poignant collections to come out of lockdown was on view earlier this month at Nilufar Depot in Milan. Called "Scarpette and Carolino," the exhibition — conceived by the Danish-Italian duo OLDER, aka Letizia Caramia and Morten Thuesen — featured two pieces of design dreamed up during a period of pandemic isolation spent at Caramia’s father’s studio in Pietrasanta, on the seaside edge of Tuscany. “As lockdown isolation is a lonely affair, our idea was to create a small series of friends to bring us company and warmth," say the founders.
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Paolo Pallucco 1980s archive furniture
03.09.22

Excerpt: Exhibition

A Retrospective of 1980s Furniture Visionary Paolo Pallucco Opens in Paris

If you’ve been following the trend cycle of archive and vintage furniture over the past few years, you'll have noticed by now that the 1980s are back in a big way. We’ve recently covered a few — like Czech Modernist Bořek Šípek and Italian artist-designer Pucci de Rossi — but it seems like every month there's a new figure that's resurfaced and reevaluated in the present day. The latest is designer and manufacturer Paolo Pallucco, whose brief stint at the helm of his eponymous brand produced some of the most radical furniture of the decade — and who is now the subject of a new exhibition in Paris at Ketabi Projects.
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03.04.22

Excerpt: Exhibition

Here Are a Few of Our Favorite Things From This Year’s Salón Cosa in CDMX

For its third edition, the burgeoning Salón COSA, Mexico’s biannual “gathering of contemporary objects,” returned to its roots in CDMX after a stint in Guadalajara last fall. On a relatively intimate scale — 22 participating artists and designers showed recent and unpublished works — Salón COSA occupied the dance floor of an old cantina nestled among the cafés, nightclubs, and shops of Calle de Motolinia, one of the oldest streets in the city. With the walls and furniture of the bar-turned-exhibition-space cloaked in a fresh coat of cerulean blue, this year’s curation reflected Salón COSA’s nocturnal setting.
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02.07.22

Excerpt: Exhibition

At Barber Osgerby’s Galerie Kreo Exhibition, An Exploration of the Artisanal and the Industrial

Though the London-based studio Barber Osgerby first started working with Galerie Kreo more than half a decade ago, with their monolithic, shinto shrine–inspired Hakone collection of tables, last month marked their debut as a solo exhibitor. In a show called Signal, on view until April 16, the London duo finally gets to show off their impeccable color sense, which has always seemed a natural fit with Galerie Kreo's aesthetic.
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01.10.22

Excerpt: Exhibition

Marta Gallery Rolls Out a Much-Loved Exhibition in An NYC Bathroom Near You

Co-curated by newly minted PIN-UP editor-in-chief Emmanuel Olunkwa, the latest iteration of Marta Gallery's Under/Over exhibition featured Sight Unseen favorites like Simone Bodmer-Turner, who installed a curvy knob reminiscent of her organic clay vessels over at Emma Scully Gallery; Minjae Kim, whose inky wooden assemblage you could find at Planet Earth; and Sam Stewart over at Matter gallery with a straightforward painted red roller.
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12.16.21

Excerpt: Exhibition

Get Good Vibes Only From this Show of Grandma-Inspired Lamps and Balloon-Like Chairs

Sister-Sister, Léa Mestres's new show at the Paris gallery Scene Ouverte, is a highly photogenic pairing of two sides of the up-and-coming French designer's practice. One the one hand, there are her puffy, balloon-like chairs, benches, and tables. On the other hand, there are her colorful stucco lamps. "I see them as old ladies," she says. "They each have a names and personality. That's why I called the show 'sisters sisters' — it’s an old ladies' gang."
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12.15.21

Excerpt: Exhibition

Sculpture or Furniture? Supaform’s New Collection Puts Feeling Before Function

In Russian designer Maxim Scherbakov's new furniture exhibition at Rome's Contemporary Cluster gallery, he asks the question: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we're not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are.
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