Table of Contents, Portland

Table of Contents is a concept shop that sells clothing and objects from a storefront just inside the gates of Portland’s Chinatown, opened in September by two local designers. So when one of them, Joseph Magliaro, told us that “the goal of TOC is to produce an expanded notion of what a publication can be,” well, you can’t blame us if we were a smidge confused. But it turns out that Magliaro and his other half, Shu Hung, prefer to look at their store as a kind of magazine come to life — a place where the things we’re all reading about now, or should be, are actually there to have and to hold, and where every fashion season brings a new “editorial” theme.
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We’re Revolting at Creatures of Comfort LA

Is it every blogger's secret wish to go into retail? This year alone, we’ve seen Sight Unseen’s own Shape Shop, Rhiannon Gilmore's Dream Shop at the Walker, and as of this Saturday, Su Wu of I'm Revolting's pop-up at Creatures of Comfort LA, entitled We're Revolting. Perhaps it's inevitable that we would all want to touch and feel and hold the objects we covet from afar, and to make tangible the narrative we create every day. But maybe it’s just as simple as this: “It’s kind of lonely being a blogger,” Wu says. “And this was a reason to get to know people. It’s kind of a scary thing: You think, ok, I admire their work, but will I actually get along with them? But in fact, I’m still kind of basking in it.”
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Jacob Gleeson of The Tent Shop

It would be easy to assume a lot about The Tent Shop, a new online store run by the Vancouver-based artist Jacob Gleeson — namely, that it might be in the business of selling tents. Or, with its deadpan write-ups and roster of vintage ephemera, amateur art, and back-catalog pieces by artist friends, that the shop might be some Canadian version of Partners & Spade, and Gleeson a hyper-aware collector engaging in an art-world prank, à la Claes Oldenburg’s The Store (1961). In fact, neither is quite true. The shop’s name stems from its planned incarnation in the physical world: Gleeson intends to purchase a heavy-duty canvas tent in which he can randomly host events around Vancouver. And as for Gleeson, though he did a stint at Vancouver’s Emily Carr University of Art + Design, he tends to view his new venture through the lens of an anthropologist more so than an artist or even a shopkeeper. “I started with the intention of showing these things together as much as wanting to sell them,” he says. “I’m drawn to the individual objects but something about putting them next to each other makes them even more interesting to me, which is why I leave things up on the site even after they’ve sold. The record of an object’s existence has as much value to me as the object itself.”
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Miranda July’s Resale Shop at Partners & Spade

For It Chooses You, a resale shop popping up at Partners & Spade in New York, Miranda July scoured the New York classifieds, buying up other people’s discards — like a collection of stolen oil paints or a pair of taxidermied deer hooves — and interviewing the sellers to discern the original meaning of those once-cherished objects.
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Nina Garduno, Owner of Sweatpants To The Stars Brand Free City

To a certain kind of customer, it makes sense to drop half a grand on a Proenza Schouler necklace made from climbing rope or a hundred bucks on a T-shirt by Comme des Garçons: You’re paying for the craftsmanship of a couture brand and you’re buying the cachet of a label that normally retails for several times those amounts. But what of a sweatshirt — created by someone with no design training, no seasonal runway presentation, and no global retail empire — that sells for $198? That’s the conundrum that faced former Ron Herman buyer Nina Garduno when she started Free City more than a decade ago.
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Brooks Hudson Thomas of Specific Merchandise

I’d known about the Los Angeles design shop Specific Merchandise for nearly a year before I figured out that its name was a play on the idea of the general store. “I wanted to have a huge range of things, but when I started thinking about it, I liked the idea of flipping that and being specific rather than general,” says Brooks Hudson Thomas, the former Blackman Cruz manager who set out his own shingle at the beginning of last year on a stretch of Beverly Boulevard that includes Lawson-Fenning, L.A. Eyeworks, and the former digs of TenOverSix. “One model I had in mind was a museum shop, but sort of trying to kick its ass. The other was stores like Moss, Matter, and The Future Perfect, which also have that blurry store/gallery vibe.”
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Kristin Dickson of L.A.’s Iko Iko

Inside Kristin Dickson’s store Iko Iko in L.A.’s Echo Park neighborhood, there are polka dot shirts and wooden knitting needles, zig-zag coathooks and Mexican moccasins, ceramic urns and jars of jam. There are selections from Dickson’s crystal and vintage-book collections — the latter with titles like “On Weaving” or “On Fiberworks” — plus pieces from her boyfriend Shin Okuda’s furniture line Waka Waka. And as of this month, these items were joined by a haul of objects from a three-week trip the couple took to Okuda’s native Japan, where the fare spanned vintage textiles to traditional trivets to novelties like toothpaste and black Q-tips. It’s a credit to the pair’s curating talents that the shop nevertheless feels like the product of a coherent vision. “I focus on work that balances high design with craft and traditional processes,” says Dickson. “I want it to be a fun exploration of textures, cultural artifacts, utilitarian objects, and beautiful curiosities.”
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Art in the Age

When Philadelphia adman Steven Grasse talks about his 20 years at the helm of Gyro Worldwide, the successful agency he shuttered in 2008, his assessment is as blunt as you might expect from the man who invented Bikini Bandits, a video series about strippers, guns, and hot rods: “I was the asshole who did the Camel ads,” he says. “At Gyro, we had this ‘I’ll fuck anything that moves’ philosophy.” That all changed in 2008, when he sold Sailor Jerry — the rum brand he created before going on to help develop Hendrick's Gin — to William Grant & Sons for “more money than I ever made in advertising,” he says. Grasse quickly changed the name of his agency to Quaker City Mercantile, and transformed its mission completely. “Now we only work on brands that we create and own or with clients I truly like personally,” he says. The most personal of those projects is Art in the Age, the Old City store and liquor brand Grasse began working on the day he sold Sailor Jerry.
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JM Dry Goods in Marfa, Texas

One recent March morning, I found myself in the Mexican town of Ojinaga sipping micheladas with Michelle Teague, owner of Marfa’s effortlessly cool ranchwear and housewares shop JM Dry Goods, and her business partner, glass- and soap-maker Ginger Griffice. Every six weeks or so, Teague and Griffice travel to OJ on buying trips. Teague scouts the small array of stores, filled with both the everyday and the bizarre, for items to boost JM Dry Goods’s border-town flavor. Griffice buys empty bottles of Topo Chico, a popular Mexican sparkling mineral water, at OJ’s Coca-Cola bottling plant, and they become the bases for the drinking glasses she sells at the store. By now, their trips follow an established pattern. Morning micheladas are an important part of the ritual.
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Fair Folks & a Goat

At Fair Folks & a Goat, a new retail gallery and tea salon hybrid on New York’s Upper East Side, everything inside the gracious late 19th-century studio apartment is for sale. Well, almost everything — a small candy dish that reads “When I count my blessings, I count you twice” was a gift from co-owner Anthony Mazzei’s mother and “it’s a million dollars,” he jokes, while the vintage paperbacks lining a wall of shelves constitute an actual lending library. Here, the props and merch blend into a seamless backdrop for a new kind of social gathering. “We wanted to create a space for young people to have a home away from home, where instead of alcohol and loud music it would be more like a physical incarnation of a magazine, with design, art, fashion, and culture,” says Mazzei.
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Kiosk’s Portugal collection

It’s hard to put a finger on just how the New York store Kiosk — which peddles quirky housewares from around the world, one country at a time — vaulted from cherished destination of a few to the kind of place Jasper Morrison, London's best-known everyday-object apologist, feels obliged to check out when he’s rolling through town. But while the 4-year-old Soho shop has begun to shed its air of secrecy, it has never lost its charm. Climbing a set of graffiti-covered stairs to its second-floor entrance, you never know what you’re going to find at the top.
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Russell Whitmore, Owner of Erie Basin

Certain areas in the Northeast are generally regarded as nirvana for antique collectors: Hudson, New York; Lambertville, New Jersey; Adamstown, Pennsylvania; Brimfield, Massachusetts. Red Hook, Brooklyn, isn't one of them. But that’s where 29-year-old Russell Whitmore decided to set up shop three years ago, on a corner just a few blocks from the East River wharfs. His much-loved store, Erie Basin, specializes in Victorian- and Georgian-era jewelry, furniture, and curiosities, with a dash of 20th century thrown in.
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