Phantom: Mies as Rendered Society by Andrés Jaque

Considering Mies van der Rohe designed the 1929 Barcelona Pavilion to emphasize transparency and freedom of movement, you've got to hand it to the Spanish architect Andrés Jaque for his genius new exhibition "Phantom: Mies as Rendered Society," which plumbs the one part of the building that's always been both hidden and completely off limits to the public: its basement. When we spotted these images of the show on Dezeen last week, complete with broken window panes in the reflecting pool and an industrial vacuum on the patio, we kind of lost it — talk about sights unseen! Jaque's installation, the latest in a series of Barcelona Pavilion interventions by designers like SANAA and Ai Weiwei, takes what's basically an overlooked yet significant refuse pile and transforms it into something unmistakably gorgeous.
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Sight Unseen and HTC: A New York Design Tour

As you may have noticed, Sight Unseen isn’t just a web magazine: Considering all the time we’ve spent getting up close and personal with designers, we’ve become intimately involved in the design scene over the years — particularly on our home turf. What that means is that we’re frequently asked to bring the Sight Unseen experience to life for other brands and institutions, like with the pop-up shop we curated for Creatures of Comfort, the book launch we hosted with Rizzoli, and the panels we’ve led for the likes of DWR and the Museum of Arts & Design. Last month, we were approached by the London tour agency Urban Gentry with a new kind of proposal: to craft an insider’s journey through the New York design world for a group of international journalists, in town for the launch of HTC’s new 8X and 8S phones. After a bit of brainstorming and a flurry of phone calls, we managed to line up a two-day itinerary that would make any design lover swoon. Read on to follow our trek from the now-private Johnson Trading Gallery showroom in Queens to the Noho headquarters of Roman & Williams, and beyond.
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The Fundamental Group, Architects and Furniture Designers

The Fundamental Group's designs may be inspired by geometric principles, but the burgeoning Berlin studio owes its existence, at least in an abstract sense, to another realm entirely: physics, ie, the field in which opposites attract. As architecture students at Berlin's University of the Arts back in 2003, Gunnar Rönsch and Stephen Molloy worked as assistants to rival department chairs, which in the world of academia, meant that they were automatically rivals, too. "If you sign up with one, you hate the other," Rönsch explains. "Mine was building construction and detail design, while Stephen's was based on a programmatic approach to structure — my chair basically had to solve all the problems created by his." In time, however, the pair realized the inevitable -- that by joining forces, they'd be stronger. First they became roommates, noticing how smoothly their collaboration on the apartment went, and then they began working together professionally, on projects like a friend's house remodel. Their only other major conflict came when it was time, in 2010, to choose a name for their new company: Rönsch & Molloy, or Molloy & Rönsch? "A mathematician friend of ours was sitting in our kitchen talking about the fundamental group — a term from algebraic topology that describes very complicated 3-D surfaces," says Molloy. "It was the perfect compromise."
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Adam Štěch of Okolo’s Italian Architecture Tour

When Adam Štěch goes on location for Okolo, the Prague-based design blog and magazine he founded with his brother Jakub and graphic designer Matěj Činčera three years ago, he likes to picture himself as a National Geographic reporter. Okolo’s recent Vienna Only issue, for example, became a kind of urban hunting expedition through the wilds of the Austrian capital, while legitimate business trips — like attending the Milan Furniture Fair as an editor for the Prague interiors magazine Dolce Vita — are rife with opportunities for fieldwork. After “cruising around crowded Zona Tortona in the center of design hell,” as the 25-year-old puts it, he’ll often spend a day or two searching out amazing examples of indigenous architecture to document. One such recent excursion to Lake Como entailed a curious encounter with the locals: “We were looking for an Ico Parisi house, for which I knew the district but not the exact address, and there was a single old man walking nearby,” recalls Štěch. “I approached him on a whim, explaining who Parisi was and asking if he knew the house. He picked us up with his car and dropped us off directly in front of it. I love those kinds of stories.” We love them too, which is why we asked Štěch to put together this slideshow sharing some of his favorite moments from his travels in the past few years.
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Okolo Visits Tobias Rehberger’s Studio

For the team behind the Czech curatorial studio and blog Okolo — Adam Štěch, Jakub Štěch, and Matěj Činčera — their work is informed as much by the fact that they're based in Prague, with a front-seat view of all things fascinating in Eastern European design, as it is by the fact that they love to travel. Adam Štěch has toured the region documenting amazing modernist homes, one of which he covered for Wallpaper this fall and more of which you'll see on Sight Unseen in 2012, and the trio recently produced a print magazine devoted entirely to the city of Vienna. They also traveled to Frankfurt in November, visiting a succession of designers' studios and photographing them for the Okolo website, slotting them in between posts about new work by Tomáš Král and the deconstruction of a Phillips auction catalog. One of our favorites was the studio of artist Tobias Rehberger, known for his striking graphical sensibility and his affinity for design and architecture, recently witnessed in the award-winning series of spaces he created in partnership with Artek; we've reposted it here with additional images and text that Adam prepared exclusively for Sight Unseen. Meanwhile, look out for a more extensive collaboration we're preparing with Okolo for later this winter.
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Uglycute, Furniture and Interior Designers

For Uglycute, it all began with a Bruno Matthson knockoff. It was 1999 and Swedish design was having a moment, but not, it seemed to the group’s four fledgling members, for the kinds of edgy experimental crafts and artistic hybrids being made by the emerging scene at the time — Wallpaper magazine and its ilk were still peering into the long shadows of Sweden’s old modernist icons. And so architecture grad Fredrik Stenberg and artists Jonas Nobel, Andreas Nobel, and Markus Degerman vented their frustration in the only way they knew how: by mounting a show around a sarcastic simulacrum of Matthson’s Eva chair made from a clunky particle-board box and cheap nylon straps. Complemented by a set of primitive clay pinch pots and a crude plywood table, the installation served as a launch pad for the group, and its subject matter — elevating cheap materials in order to question traditional norms of beauty and value — lent their firm its distinctive name. “It was meant as a new take on formalistic values,” says Nobel, who with the other three partners has since built a thriving practice known for its work with museums and clients like Cheap Monday.
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Autoban, Furniture and Interior Designers

The Beyoğlu district is one of the oldest neighborhoods in Istanbul, but for centuries, it’s been the Turkish cultural capital's most modern quarter as well. So it's fitting that the creative firm helping to spearhead the growth of modern design in Turkey has all but grown up on Beyoğlu’s cobbled streets. Autoban is housed in a half-baroque, mid-19th-century Italianate building, but inside, the studio is almost seamlessly modern.
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Architects’ Sketchbooks

In the context of the hysteria currently surrounding all things old-fashioned and handmade, it makes a certain sense to mount an examination of architecture's low-tech roots: those hand-rendered sketches and schematics that still tend to quietly precede even the most digitally advanced structures. It's debatable whether the practice as a whole is consciously returning to those roots, as the new book Architects' Sketchbooks argues, but when the architects who find joy in committing their thoughts to paper open their notepads for all to see, the appeal runs deeper than any cultural trend. "For me, the process is often more fascinating than the end result, and at the heart of architecture, which is part of the process of building worlds, lies the language of drawing," writes Narinder Sagoo of Foster + Partners in the book's foreword.
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Brooks Hudson Thomas of Specific Merchandise

I’d known about the Los Angeles design shop Specific Merchandise for nearly a year before I figured out that its name was a play on the idea of the general store. “I wanted to have a huge range of things, but when I started thinking about it, I liked the idea of flipping that and being specific rather than general,” says Brooks Hudson Thomas, the former Blackman Cruz manager who set out his own shingle at the beginning of last year on a stretch of Beverly Boulevard that includes Lawson-Fenning, L.A. Eyeworks, and the former digs of TenOverSix. “One model I had in mind was a museum shop, but sort of trying to kick its ass. The other was stores like Moss, Matter, and The Future Perfect, which also have that blurry store/gallery vibe.”
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Stephan Jaklitsch, architect

In the world of retail, there is a tendency towards sameness, a familiarity designed to lull shoppers into a complacent state in which they might begin to feel it’s okay to spend a lot of money. A Zara, anywhere in the world, is immediately identifiable by its gold-toned lighting and rows of shoes lined up haphazardly underneath the clothes; a Marni boutique leaves its mark with swooping stainless-steel rails and elliptical cutouts in the ceilings. As a brand, Marc Jacobs has never been about uniformity, though — this is a fashion designer, after all, who’s gone from the most infamous collection of grunge in history to the luxurious heights of Louis Vuitton — so why should his stores? “There are certain iconic elements that are repeated,” admits Stephan Jaklitsch, the New York–based architect who’s been responsible for Jacobs's bricks-and-mortar for more than 10 years, “but in general, each store relates to its own specific building type, to the city’s specific urban condition, and to the architecture of the individual space. Although they’re identifiably connected, every one of them has a particular feel.”
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To Live in a Schindler House, by Pin-Up Editor Felix Burrichter

In March, Pin-Up magazine editor Felix Burrichter packed his bags and left New York for an extended stay in Los Angeles, where he met up with the Vienna artist Sarah Ortmeyer. Chosen for one of four annual residencies with Vienna's Museum for Applied Arts (MAK) — whose L.A. branch is based in architect Rudolph Schindler's 1922 Kings Road House — the pair have spent the intervening months shacked up in a two-bedroom apartment at the museum's Mackey building, working on a joint project they'll present on September 10. Called "XXX BURRICHTER ORTMEYER," its main element is a publication focused on the mercurial relationship between Schindler and his wife; Burrichter has also taken advantage of the proximity to give the fall issue of Pin-Up an L.A. theme. Architecture buff that he is, we got to wondering how else he'd been inspired by his surroundings, so we invited him to share with us the experience of living in the recently renovated Mackey building, whose five apartments Schindler built in his trademark style in 1939. "It’s like living in a little museum," he says. "At first we were like, this is crazy, but it’s really the perfect apartment, even though it’s so basic. We’ve been here for four and a half months now, and the longer we stay, the more we realize how well thought-out it is."
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