Amy Brener, artist

Brooklyn-based artist Amy Brener is all about excavating the technological artifact in her large, translucent, crystal-like sculptures. Each standing the height of an average-sized human, the totems are like some colossal peer of Thaddeus Wolfe’s ongoing Assemblage Series. Into these cast resin and concrete monoliths, Brener fossilizes decade-old Nokia phones, Fresnel lenses, and gypsum; once the cast dries, she chisels away, cracking sheets of plastic and remnants of our recent technological past, revealing sculptures that resemble the natural and the geological. The structures stand bright and vertical, weighted in a mix of familiar earthy rock formations and distant ideas of the supernatural. As Brener notes, “My pieces are artifacts from an imagined future.” Enjoy a small selection of our favorites after the jump.
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Thaddeus Wolfe, Glass Artist

When asked if he identifies more as an artist or a designer, Thaddeus Wolfe seems genuinely stumped. But perhaps it’s that way for anyone working with glass, a material that’s notoriously hard to confine: “I don’t think I’m a great designer,” he muses. “Maybe it’s because I’m not a master of glass yet that I never quite get what I intend. But sometimes cool things happen from mistakes.” It’s a pretty self-deprecating summation of process coming from someone whose chaotic, mysteriously opaque Assemblage vases for MatterMade are the subject of a solo exhibition opening tomorrow at Chicago’s Volume Gallery, which has in the year and a half since it opened become somewhat of a barometer for the Next Big Thing.
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