At the Reform Design Biennale, Helping to Push Design in a More Radical Direction

Last summer, we received an invitation from Danish designer Maria Bruun to participate in the Reform Design Biennale, an open-call, juried design exhibition she co-founded in 2014 with her friends and colleagues, Louise Hagemenn, Rasmus Fox, and Jens Dan Johansen. The brief for designers? To create an experimental piece that might challenge their typical practice or usual methods of production — i.e., what the curators describe as doing "the illogical in order to create something logical." The results are on view starting tomorrow at Munkeruphus, just outside of Copenhagen.
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A New Exhibition Celebrates the Ambiguity of Objects

For a new show at New York's Chamber Gallery, curated by Matylda Krzykowski, contributions from American Nick Van Woert, Swiss designers Robert and Trix Haussmann, Polish talent Oskar Zieta, and Vienna-based design studio mischer’traxler, among others, each pay homage to Richard Hamilton’s 1956 collage, “Just what is it that makes today’s homes so different, so appealing?” — the inspiration behind the show and its moniker (“Just What Is It”).
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The Best of 2016’s London Design Festival

Because many of London's top designers create work throughout the year for international galleries or the Milan Furniture Fair, the LDF, in its best years, feels less about splashy furniture debuts and more about experimentation and collaboration. The stakes are lower, the opportunity for delight is higher. Here are some of the best things we found this year.
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Join us for the 2015 show!

After our phenomenally successful, inaugural Sight Unseen OFFSITE event last year — which included an Instagram-ready still-life photo booth, a Memphis-y soup of Print All Over Me goodness, and a cocktail party with a line around the block — the question on everyone's lips was: But will you do it again? Today, we're happy to announce that yes, Sight Unseen OFFSITE will be returning for a second, even more exciting year!
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Week of December 16, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: the best patterns of 2013, a new stationery set by one of our favorite fashion designers (pictured above), Design Prom, and more.
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At New York Design Week 2012, Part II: Hotel California

How could we have possibly known, when we first decided to host an exhibition of California design during our third annual Noho Design District, that we would be blessed with four straight days of glorious, Los Angeles–style sunshine? (Followed, of course, by a day of downpours, but more on that tomorrow.) Springtime in New York is a fickle beast, and when we first began to plan how best to use the gorgeous second-floor terrace space we’d been given at the new Standard, East Village hotel, we said a prayer for mild climes but also engaged in fretful what-ifs with our hotel ambassadors, talking of contingencies like awnings, tarps, and the possibility of moving everything — save for a nearly 50 square foot teak and rubber fort constructed on-site by Matt Gagnon — inside.
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New Useless Machines at Oak & Rogan

Back in January, when we first began contemplating how we would program Noho Design District — the just-completed four-day design extravaganza produced and curated by Sight Unseen and held in conjunction with New York’s ICFF — one thing was clear: Come hell or high water, we’d find a way to pull off an exhibition we’d been obsessing over for months, ever since the re-release last summer of the 1966 Bruno Munari classic Design As Art. Among the late Italian designer’s musings, photos, diagrams, and sketches, we were reminded of his childlike fascination with hanging mobiles — or as he calls them, useless machines.
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Libby Sellers, Design Gallerist

Had you peeked into London gallerist Libby Sellers's diary for the week of the Milan Furniture Fair earlier this month, you would have seen all the requisite stops on the circuit: Rossana Orlandi one afternoon, Lambrate and Tortona the next, plus a stop at Satellite and a time out for breakfast at the Four Seasons with Alice Rawsthorn, her former boss. There was time made for shopping — Sellers is a self-admitted clothes horse, having transformed most of her London apartment into a walk-in closet — and for a visit to the 10 Corso Como gallery and bookstore. But despite what you'd expect from one of the world's most respected supporters of emerging design, who for the past two years has commissioned work from and produced pop-up exhibitions with talents like Max Lamb and Julia Lohmann, Sellers did not walk away from the fair with an arsenal of new relationships to pursue. Her scouting is done before she even gets there, in graduate degree shows and over the internet, so that in Milan — unlike the rest of us — she gets to relax and enjoy the show.
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