Aaron Poritz sculptural wood furniture

Aaron Poritz’s Henry Moore–Inspired Sculptural Wood Furniture is Next Level

Aaron Poritz's latest furniture collection — Big Woods, currently on show at Cristina Grajales Gallery in New York City — is both a fond look back at his childhood spent in the forests of Massachusetts, and an evolution of years spent working with, learning about, and appreciating the material for its visual, tactile, and workable qualities. His odyssey began in Nicaragua in 2012, where a chance encounter with an exporter of hurricane-felled trees resulted in the creation of his first range of wooden furniture. Focused on joinery techniques and traditional Danish shapes, and informed by his background in architecture, however, the designer’s initial work is miles apart the Henry Moore-influenced soft curves, organic shapes, and bulbous protrusions of the sculptural designs he’s currently exhibiting. 
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At Barber Osgerby’s Galerie Kreo Exhibition, An Exploration of the Artisanal and the Industrial

Though the London-based studio Barber Osgerby first started working with Galerie Kreo more than half a decade ago, with their monolithic, shinto shrine–inspired Hakone collection of tables, last month marked their debut as a solo exhibitor. In a show called Signal, on view until April 16, the London duo finally gets to show off their impeccable color sense, which has always seemed a natural fit with Galerie Kreo's aesthetic.
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Sean Gerstley is Playing With Scale at New York’s Tiniest New Design Gallery

When we first started writing about ceramic furniture back in 2014 — first with Chris Wolston's terracotta chairs, then on through to Eny Lee Parker, Kelsie Rudolph, Floris Wubben, Virginia Sin, BZIPPY, and more — we had no idea we would end up here: in Superhouse's new, 100 sq.ft. vitrine/gallery on the second floor of a Chinatown mall, filled to bursting with more than a dozen such works by the young designer Sean Gerstley, whose process and aesthetic we can only describe as simply thrilling.
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Vit Cimbura postmodern clocks

These Playful Postmodern Clocks and Their Late Designer, Vit Cimbura, Are Finally Getting Their Due

Earlier this year, a somewhat forgotten Postmodern designer named Vít Cimbura died. A member of the iconic Postmodern group Atika, Cimbura decided at the end of the 1980s to channel his criticism of Communism through a series of experimental Postmodern creations that balanced on the edge of kitsch. The Prague-based gallery, Okolo, pays tribute to Cimbura’s work this month in an exhibition of clocks, which formed an important part of his life's work.
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Meet UNNO, the New Online Gallery Championing Latin American Design

UNNO, a new online-only gallery from architect Laura Abe Vettoretti and interior designer Maria Dolores, is making the most of the situation after plans to open a physical gallery in Milan last year were put on hold. Their mission, they tell us, is to introduce the richly varied landscape of Latin American design to collectors across the globe, spurred on by the region’s fertile mix of craft tradition and yet-to-be-discovered crop of contemporary designers.
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We’re Kicking Off Mexico City Week on Sight Unseen with Our Definitive Mexico City Travel Guide

Mexico City is a major cultural capital, with a thriving design, art, and culinary scene that’s home to some of the most exciting creative talents we know. Starting today — and thanks to the generous support of Tequila Don Julio — we’re devoting five full days to spotlighting them. Welcome to Mexico City Week, which we're kicking off with Sight Unseen’s official guide to our favorite design stores, restaurants, art galleries, flea markets, and more.
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A New Show Takes Inspiration From the Same Idea That Drove Duchamp and the Dadaists

For Hilda Hellström’s latest exhibition at Étage Projects, opening this Friday, the Swedish-born, Copenhagen-based artist looked to a rather unusual source for inspiration: a semi-obscure literary idea known as "pataphysics," popularized by the 19th-century French poet and playwright Alfred Jarry (and once memorably referred to as "your favorite cult artist’s favorite pseudoscience" by Pitchfork). Pataphysics is a philosophy that gives credence to that which exists even beyond the metaphysical realm — in other words, the imaginary, the irrational, and the unreal.
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In Brussels, New Designs at the Place Where Art, Architecture, and Industry Meet

When we first heard that Belgian architects Kersten Geers and David Van Severen were collaborating with the Kortrijk-born, Turin-based painter Pieter Vermeersch for an exhibition at Maniera Gallery, we became, we'll admit, somewhat unreasonably excited. Our love for Vermeersch's signature gradients is well-documented on this site, and, if you'll recall, Office KGDVS's angular furniture collection was what set off our love for the Brussels-based Maniera all the way back in 2014.
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A Showcase for Experimental Craft — And Iridescence — On View in London

Like Salon in New York, the Collect fair in London has recently evolved to become a platform for enabling more risk-taking work, showcasing the latest possibilities, processes, and technologies at play in the field of making. The peripatetic London gallery Seeds, a longtime SU favorite, returned to the fair this year with newly commissioned works from nine contemporary designers.
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