30 Artists and Galleries We Loved During New York Art Week 2017

We can't quite put our finger on what it was that made this year's Armory Arts Week feel so fresh. Was it the new venues? After all, NADA moved from Basketball City to Skylight Clarkson North, while Spring/Break moved from the old Post Office to an ex-Condé Nast office at 4 Times Square. Was it the fresh blood — the fact that NADA was even there at all, after years of coinciding with May's Frieze Fair? Or maybe it was simply the weather — we made the rounds on a gorgeously sunny Thursday that made the views at Spring Studios' Independent fair even more glorious. Whatever the case, we found much to love

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06.06.16

Shopping

32 Statement-Making Geometric Rugs You Can Buy Right Now

At the end of last year, we began to notice a new trend in patterned rugs. Gone were the ubiquitous chevron stripes and hexagonal motifs, and in their place was a new kind of graphic, geometric look — elemental shapes that had been stacked, abstracted, layered, mixed, or simply juxtaposed alongside each other (in other words, a pretty healthy reflection of what's happening in furniture design right now as well). As with most trends, the second we began noticing one or two rugs in this vein, they were suddenly everywhere. So, we did what any object-obsessed, semi-helpful design blog ought to do — we gathered them all into one place, for your shopping enjoyment. Herewith, your definitive guide to Sight Unseen's favorite, statement-making geometric rugs — and where to find (and buy) them right now.

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02.06.16

Saturday Selects

Week of February 1, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week is all about shapes: geometric tables and artworks, a shelf adorned with a wooden squiggle that looks like a break in the space-time continuum, a series of angular Brutalist teapots, and the epic Vignelli-esque, Toogood-esque Moser tray pictured above.

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04.27.15

Studio Visit

Samantha Bittman, Artist

It was a couple of years ago that Chicago-based artist Samantha Bittman first captivated us with her intricate, meticulous paintings on woven textiles. We’ve been transfixed by her work ever since, so when we had the chance recently to visit her studio and delve into her process, we jumped. Bittman creates dazzling surfaces of optically challenging patterns that draw you in to reveal greater depths, dimensionality, and unsteadying shifts in perspective. There’s an objective, mathematical precision to her pieces but there’s also a remarkably human warmth — the result, perhaps, of giving in to the parameters created by the loom while also resisting them.

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04.15.11

Q+A

Carwan Gallery Launch: Samare

Through today, Sight Unseen is showcasing the work of half a dozen designers and design firms exhibiting together at the Milan Furniture Fair under the umbrella of the soon-to-launch Carwan Gallery in Beirut. Here, Nicolas Bellevance-Lecompte, one quarter of the Montreal and Milan–based design studio Samare and the co-founder of the Carwan gallery itself, tells us about the group's new and strikingly geometric felted-wool rugs, made in collaboration with the Belgian textile designers Antonin Bachet and Linda Topic. The project is the latest addition to Samare's ongoing Pays d’en Haut Legacy series, which investigates and then reinterprets the vernacular forms and decorative motifs of Canada's upper country, home to its logging and fur trades. Since their studio launch in 2008, they've worked with local snowshoe craftsman, weavers, and furriers in an attempt to show the world — and their fellow Canadians — how these longtime traditions and crafts can still prove relevant to contemporary culture. After the Milan fair, the rugs will travel to New York, where they'll be presented by the design store Matter during ICFF.

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02.09.10

8 Things

Esther Stocker, Artist

It's funny to hear Esther Stocker talk about reading between the lines. The Vienna-based painter is known for manipulating spatial geometry using the framework of the grid — both on canvas and in her trippy 3-D installations — until the mind starts making linear connections that aren't really there, trying to find order in the optically illusive chaos. But that's not what Stocker's referring to. She's talking about Charles Schultz's Peanuts.

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