Leong Leong's TOPO installation for Sight Unseen OFFSITE

Get Ready to Experience Leong Leong’s Epic Infinite Sound Bath for Ford

Christopher and Dominic Leong, brothers and founding partners in the New York–based architectural office Leong Leong, have since 2009 developed a practice shaped by an understanding of architecture as a discipline in constant dialogue with other disciplines, such as art, film, and music. Their installation for this year’s edition of Sight Unseen OFFSITE is no exception: TOPO is an immersive and experiential landscape — created in partnership with ARUP and inspired by the design thinking behind the Ford Edge — that turns a flowing field of more than a thousand foam rollers into a kind of musical instrument, using acoustic actuators to pick up ambient sounds and translate them into a sonic soundscape.
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Dzwonkoski, Julia and Kye Potter_Backyard, 2011

“Another Cats Show” at 356 Mission

“Another Cats Show” may have started as a one-liner, but that doesn’t mean it fails to land the joke. The exhibition, which closed this week at the Los Angeles gallery 356 Mission, included feline-themed pieces from 301 artists and proved that what they say about die-hard cat lovers is pretty much true: They may be crazy, but they also totally mean it. “People assume cats will be funny,” says Ooga Booga founder Wendy Yao, a partner in the space. “It is casual and inclusive, and gives artists a chance to do something not quite as monumental.”
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"Abstract thought is a warm puppy" —Art Spiegelman: "There's a theory in art that good things come from your stomach and aren't thought about, and I disagree with that exclusion of thinking and of the senses. I like that Spiegelman doesn't exclude it. I used this quote as the name of a 2008 installation I made at the Center for Contemporary Non-Objective Art in Brussels."

Esther Stocker, Artist

It's funny to hear Esther Stocker talk about reading between the lines. The Vienna-based painter is known for manipulating spatial geometry using the framework of the grid — both on canvas and in her trippy 3-D installations — until the mind starts making linear connections that aren't really there, trying to find order in the optically illusive chaos. But that's not what Stocker's referring to. She's talking about Charles Schultz's Peanuts.
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