New York Design Week, We Missed You — Here Are 25 Favorites From the Festival That Was

Well, after two years of fallow Mays due to COVID delays (and a November iteration of NYCxDesign that barely registered), New York Design Week returned with a vengeance this month. Its de facto kick-off was the incredible MASA exhibition, curated by Su Wu, which opened in a former post office in Rockefeller Center and remains a high-water mark for the month. The festivities finally ended last week with a rager of a party at Matter Projects for a dual exhibition with furniture designer Minjae Kim and his mother, the painter Myoungae Lee, which we'll cover more in-depth on the site this week. Here are our favorite projects from the past few weeks.
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Haos’s Steel and Plywood Collection is a Coolly Elevated Take on Minimalism

Haos's Sophie Gelinet and Cedric Gepner recently relocated from Paris to Lisbon, where they've opened a larger studio and workshop where they can make work on-site. But rather than take their practice to the furthest experimental reaches just because they can, they've instead created a pared-down, rigorous framework for their fourth collection, taking cues from traditional Japanese architecture, 20th-century Modernism, and the Dogme 95 movement, which sought to distill filmmaking to its essence by rejecting special effects and gimmicks.
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In Common With ceramic lights

In Common With and Danny Kaplan Expand Their Earthy Ceramic Lighting Range

When In Common With debuted in 2018, the Brooklyn studio made their mark (no pun intended) by pairing sleek, machined lamp bases with ceramic shades that had been obviously, laboriously made by hand — pinch marks, bumps, and all. The studio soon found ways to make the shades faster and more efficient — and expanded their offerings to include glass and metal — but in a continued collaboration with ceramicist and fellow Brooklynite, Danny Kaplan, they have been able to recapture that earlier, earthier quality.
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Obsessed With Materials? This Italian Brand Is Turning Them Into Wall Art

Most object designers — and object-lovers too, ourselves included — have an unusually heightened appreciation for materials. We can feel moved simply by the surface texture of clay, or by the way a piece of glass reflects light, or by the curious reaction of metal to certain chemicals or industrial processes. That notion is at the heart of Design Editions, a novel new project making its debut at Suite NY that treats materials like paintings, framing them so they can be hung on the wall and admired.
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