An internationally exhibited conceptual artist working in photography, sculpture, and installation, Oran Hoffmann was invited to the Fondation Vasarely in Aix-en-Provence in 2017, where he sifted through boxes of Vasarely’s tiles, parallelograms, serigraphs, and other ephemera used to inspire and lay the groundwork for the unusual architecture of the foundation and the optically boggling sculptures and spaces within. Hoffmann’s new book is the culmination of a year of research and working with Vasarely’s archives.